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Today's Stichomancy for George Bernard Shaw

The first excerpt represents the past or something you must release, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

But all this is lost on Siegfried Bakoonin. "Aha!" he cries, as the spear is levelled against his breast: "I have found my father's foe"; and the spear falls in two pieces under the stroke of Nothung. "Up then," says Wotan: "I cannot withhold you," and disappears forever from the eye of man. The fires roll down the mountain; but Siegfried goes at them as exultantly as he went at the forging of the sword or the heart of the dragon, and shoulders his way through them, joyously sounding his horn to the accompaniment of their crackling and seething. And never a hair of his head is singed. Those frightful flames which have scared mankind for centuries from the Truth, have not heat enough in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Memories and Portraits by Robert Louis Stevenson:

far behind. There are besides a certain number that look at me with reproach as I pass them by on my shelves: books that I once thumbed and studied: houses which were once like home to me, but where I now rarely visit. I am on these sad terms (and blush to confess it) with Wordsworth, Horace, Burns and Hazlitt. Last of all, there is the class of book that has its hour of brilliancy - glows, sings, charms, and then fades again into insignificance until the fit return. Chief of those who thus smile and frown on me by turns, I must name Virgil and Herrick, who, were they but

"Their sometime selves the same throughout the year,"

must have stood in the first company with the six names of my

The third excerpt represents the future or something you must embrace, and is drawn from Lady Baltimore by Owen Wister:

misinterpreted bunch of roses diminished this satisfaction. I should have been glad to know if the accomplished young woman had further probed that question and discovered the truth, but it seemed scarce likely that she could do this without the help of one of three persons, Eliza and myself who knew all, or John who knew nothing; for the up-country bride, and whatever other people in Kings Port there were to whom the bride might gayly recite the tale of my roses, were none of them likely to encounter Miss Rieppe; their paths and hers would not meet until they met in church at the wedding of Hortense and John. No, she could not have found out the truth; for never in the world would she, at this eleventh hour, risk a conversation with John upon a subject so full of well-packed explosives;