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Today's Stichomancy for George Bernard Shaw

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

were open, and I hastened to my father's house. My first thought was to discover what I knew of the murderer, and cause instant pursuit to be made. But I paused when I reflected on the story that I had to tell. A being whom I myself had formed, and endued with life, had met me at midnight among the precipices of an inaccessible mountain. I remembered also the nervous fever with which I had been seized just at the time that I dated my creation, and which would give an air of delirium to a tale otherwise so utterly improbable. I well knew that if any other had communicated such a relation to me, I should have looked upon it as the ravings of insanity. Besides, the strange nature of the animal would elude all pursuit, even if


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lost Princess of Oz by L. Frank Baum:

"Take the others first," proposed the Mule. So the Sawhorse and the Woozy made a couple of trips over the thistles to the city walls and carried all the people in safety, Dorothy holding little Toto in her arms. The travelers then sat in a group on a little hillock just outside the wall and looked at the great blocks of gray stone and waited for the Woozy to bring Hank to them. The Mule was very awkward, and his legs trembled so badly that more than once they thought he would tumble off, but finally he reached them in safety, and the entire party was now reunited. More than that, they had reached the city that had eluded them for so long and in so strange a manner.


The Lost Princess of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac:

letter is brought they pay for it. It is a queer thing, monsieur, the mother's name is not the same as the daughter's. Ah, but when they go for a walk in the Tuileries, mademoiselle is very smart, and she never goes out but she is followed by a lot of young men; but she shuts the door in their face, and she is quite right. The proprietor would never allow----"

The coach having come, Hippolyte heard no more, and went home. His mother, to whom he related his adventure, dressed his wound afresh, and would not allow him to go to the studio next day. After taking advice, various treatments were prescribed, and Hippolyte remained at home three days. During this retirement his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

beast of prey desired, and so, with the infinite patience of the wild hunter, the ape-man crouched motionless and silent as a graven image until the fruit should be ripe for the plucking. A poisonous insect buzzed angrily out of space. It loitered, circling, close to Tarzan's face. The ape-man saw and recognized it. The virus of its sting spelled death for lesser things than he--for him it would mean days of anguish. He did not move. His glittering eyes remained fixed upon Rabba Kega after acknowledging the presence of the winged torture by a single glance. He heard and followed the movements


The Jungle Tales of Tarzan