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Today's Stichomancy for George Bernard Shaw

The first excerpt represents the past or something you must release, and is drawn from Glasses by Henry James:

general health, you know, and if that goes on improving as it has lately done everything will soon be all right. All that was the matter with me before--and always; it was too reckless!--was that I neglected my general health. It acts directly on the state of the particular organ. So I'm going three miles."

I grinned at her from the doorstep while Mrs. Meldrum's maid stood there to admit me. "Oh I'm so glad," I said, looking at her as she paced away with the pretty flutter she had kept and remembering the day when, while she rejoined Lord Iffield, I had indulged in the same observation. Her air of assurance was on this occasion not less than it had been on that; but I recalled that she had then

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The First Men In The Moon by H. G. Wells:

stretching crest beyond crest into the remote obscurity, gave us our first inkling of the distance of the crater wall. These hummocks looked like snow. At the time I thought they were snow. But they were not - they were mounds and masses of frozen air?

So it was at first, and then, sudden, swift, and amazing, came the lunar day.

The sunlight had crept down the cliff, it touched the drifted masses at its base and incontinently came striding with seven-leagued boots towards us. The distant cliff seemed to shift and quiver, and at the touch of the dawn a reek of gray vapour poured upward from the crater floor, whirls and puffs and drifting wraiths of gray, thicker and broader and denser, until


The First Men In The Moon
The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

the poetry of Persia, where the hands of slaves had worked on it. The furniture was covered in white cashmere, relieved by black and poppy- colored ornaments. The clock, the candelabra, all were in white marble and gold. The only table there had a cloth of cashmere. Elegant flower-pots held roses of every kind, flowers white or red. In fine, the least detail seemed to have been the object of loving thought. Never had richness hidden itself more coquettishly to become elegance, to express grace, to inspire pleasure. Everything there would have warmed the coldest of beings. The caresses of the tapestry, of which the color changed according to the direction of one's gaze, becoming either all white or all rose, harmonized with the effects of the light


The Girl with the Golden Eyes