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Today's Stichomancy for George Clooney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

On that enormous mass of blackness there was not a gleam to be seen, not a sound to be heard. It was gliding irresistibly toward us and yet seemed already within reach of the hand. I saw the vague figures of the watch grouped in the waist, gazing in awed silence.

"Are you going on, sir," inquired an unsteady voice at my elbow.

I ignored it. I had to go on.

"Keep her full. Don't check her way. That won't do now," I said, warningly.

"I can't see the sails very well," the helmsman answered me, in strange, quavering tones.


'Twixt Land & Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

that. And we must remember that it was so ordered--"

"Ordered! Oh, everything's ORDERED, when a person has to find some way out when he has been stupid. Just the same, it was ORDERED that the money should come to us in this special way, and it was you that must take it on yourself to go meddling with the designs of Providence--and who gave you the right? It was wicked, that is what it was--just blasphemous presumption, and no more becoming to a meek and humble professor of--"

"But, Mary, you know how we have been trained all our lives long, like the whole village, till it is absolutely second nature to us to stop not a single moment to think when there's an honest thing to be


The Man that Corrupted Hadleyburg
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mother by Owen Wister:

announced to our assembled company that if his turn should really come to tell us a story, the story should be no invention of his fancy, but a page of truth, a chapter from his own life, in which himself was the hero and a lovely, innocent girl was the heroine, his wife at once looked extremely uncomfortable. She changed the reclining position in which she had been leaning back in her chair, and she sat erect, with a hand closed upon each arm of the chair.

"Richard," she said. "do you think that it is right of you to tell any one, even friends, anything that you have never yet confessed to me?"

"Ethel," replied Richard, "although I cannot promise that you will be entirely proud of my conduct when you have heard this episode of my past,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

loud, sobbing fit of crying. After a time he found himself sitting in a chair and looking at Carlier, who lay stretched on his back. Makola was kneeling over the body.

"Is this your revolver?" asked Makola, getting up.

"Yes," said Kayerts; then he added very quickly, "He ran after me to shoot me--you saw!"

"Yes, I saw," said Makola. "There is only one revolver; where's his?"

"Don't know," whispered Kayerts in a voice that had become suddenly very faint.

"I will go and look for it," said the other, gently. He made the round along the verandah, while Kayerts sat still and looked at the corpse.


Tales of Unrest