Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for George Clooney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

passage from his private room to the parlor, the star on Feathertop's breast had scintillated actual flames, and threw a flickering gleam upon the wall, the ceiling, and the floor.

With such sinister prognostics manifesting themselves on all hands, it is not to be marvelled at that the merchant should have felt that he was committing his daughter to a very questionable acquaintance. He cursed, in his secret soul, the insinuating elegance of Feathertop's manners, as this brilliant personage bowed, smiled, put his hand on his heart, inhaled a long whiff from his pipe, and enriched the atmosphere with the smoky vapor of a fragrant and visible sigh. Gladly would poor Master Gookin

Mosses From An Old Manse
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

subsequent misfortunes. He heard me to an end in silence, gravely smoking. 'Miss Fanshawe,' said he, when I had done, 'you are a very comical and most enchanting creature; and I can see nothing for it but that I should return to-morrow morning and satisfy your landlady's demands.'

'You strangely misinterpret my confidence,' was my reply; 'and if you had at all appreciated my character, you would understand that I can take no money at your hands.'

'Your landlady will doubtless not be so particular,' he returned; 'nor do I at all despair of persuading even your unconquerable self. I desire you to examine me with critical

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Emma McChesney & Co. by Edna Ferber:

people said--impossible! Women couldn't walk in 'em. Wouldn't, couldn't sit down in 'em. Women couldn't run, play tennis, skate in them. The car steps were too high for them. Well, what happened? Women had to walk in them, and a new gait became the fashion. Women took lessons in how to sit down in them. They slashed them for tennis and skating. And street-car companies all over the country lowered the car steps to accommodate them. What's true for the hobble holds good for the hoop. Women will cease to single-foot and learn to undulate when they walk. They'll widen the car platforms. They'll sit on top the Fifth Avenue 'buses, and you'll never give them a second thought."

Emma McChesney & Co.
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from All's Well That Ends Well by William Shakespeare:

Not by the title. She is young, wise, fair; In these to nature she's immediate heir; And these breed honour: that is honour's scorn Which challenges itself as honour's born, And is not like the sire: honours thrive When rather from our acts we them derive Than our fore-goers: the mere word's a slave, Debauch'd on every tomb; on every grave A lying trophy; and as oft is dumb Where dust and damn'd oblivion is the tomb Of honour'd bones indeed. What should be said?