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Today's Stichomancy for George Orwell

The first excerpt represents the past or something you must release, and is drawn from Domestic Peace by Honore de Balzac:

a good turn with the Parisian you love best."

"Well, General, since you have vouchsafed to turn your attention to that lady, whom I never saw till now, have the charity to tell me if you have seen her dance."

"Why, my dear Martial, where have you dropped from? If you are ever sent with an embassy, I have small hopes of your success. Do not you see a triple rank of the most undaunted coquettes of Paris between her and the swarm of dancing men that buzz under the chandelier? And was it not only by the help of your eyeglass that you were able to discover her at all in the corner by that pillar, where she seems buried in the gloom, in spite of the candles blazing above her head?

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

There his fingers encountered a folded journal. He drew it out, and recognised the type and paper of the STANDARD; and at the same instant, his eyes alighted on the offer of two hundred pounds. Plainly then, his lodger, now no longer mysterious, had laid aside his coat on the very day of the appearance of the advertisement.

He was thus standing, the tell-tale coat upon his back, the incriminating paper in his hand, when the door opened and the tall lodger, with a firm but somewhat pallid face, stepped into the room and closed the door again behind him. For some time, the two looked upon each other in perfect silence; then

The third excerpt represents the future or something you must embrace, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

such matters.

"I think," said she, "that Eudora should be told that Harry Lawton has come back and is boarding at the Wellwood Inn."

"You think," faltered Amelia, "that it is possible she might meet him unexpectedly?"

"I certainly do think so. And she might show her feelings in a way which she would ever afterward regret."

"You think, then, that she --"

Sophia gave her sister a look. Amelia fled after Eudora and the baby-carriage. She overtook her at the gate. She laid her hand on Eudora's arm, draped with India shawl.