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Today's Stichomancy for George Orwell

The first excerpt represents the past or something you must release, and is drawn from Flame and Shadow by Sara Teasdale:

Molten sea, richness of leaves and the burnished Bronze of sea-grasses.

Clefts in the cliff shelter the purple sand-peas And chicory flowers bluer than the ocean Flinging its foam high, white fire in sunshine, Jewels of water.

Joyous thunder of blown waves on the ledges, Make me forget war and the dark war-sorrow -- Against the sky a sentry paces the sea-cliff Slim in his khaki.

Winter Stars

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Riders of the Purple Sage by Zane Grey:

"Yes. After almost killing you I've pulled you through."

"Are you glad?"

"I should say so!"

Her eyes were unusually expressive, and they regarded him steadily; she was unconscious of that mirroring of her emotions and they shone with gratefulness and interest and wonder and sadness.

"Tell me--about yourself?" she asked.

He made this a briefer story, telling of his coming to Utah, his various occupations till he became a rider, and then how the Mormons had practically driven him out of Cottonwoods, an

Riders of the Purple Sage
The third excerpt represents the future or something you must embrace, and is drawn from Domestic Peace by Honore de Balzac:

preach to you; yes, you are the cause of my appearance in this house, which stinks of the lower class. Have I not just seen actors here? Formerly, my dear, we received them in our boudoir; but in the drawing-room--never!--Why do you look at me with so much amazement? Listen to me. If you want to play with men, do not try to wring the hearts of any but those whose life is not yet settled, who have no duties to fulfil; the others do not forgive us for the errors that have made them happy. Profit by this maxim, founded on my long experience.--That luckless Soulanges, for instance, whose head you have turned, whom you have intoxicated for these fifteen months past, God knows how! Do you know at what you have struck?--At his whole