| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert: silver, and brass coins were arranged on tables or packed into niches,
and rose as high as the joists of the roof along the four walls. In
the corners there were huge baskets of hippopotamus skin supporting
whole rows of smaller bags; there were hillocks formed of heaps of
bullion on the pavement; and here and there a pile that was too high
had given way and looked like a ruined column. The large Carthaginian
pieces, representing Tanith with a horse beneath a palm-tree, mingled
with those from the colonies, which were marked with a bull, star,
globe, or crescent. Then there might be seen pieces of all values,
dimensions, and ages arrayed in unequal amounts--from the ancient
coins of Assyria, slender as the nail, to the ancient ones of Latium,
 Salammbo |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Woman of No Importance by Oscar Wilde: GERALD. You have never been married, Lord Illingworth, have you?
LORD ILLINGWORTH. Men marry because they are tired; women because
they are curious. Both are disappointed.
GERALD. But don't you think one can be happy when one is married?
LORD ILLINGWORTH. Perfectly happy. But the happiness of a married
man, my dear Gerald, depends on the people he has not married.
GERALD. But if one is in love?
LORD ILLINGWORTH. One should always be in love. That is the
reason one should never marry.
GERALD. Love is a very wonderful thing, isn't it?
LORD ILLINGWORTH. When one is in love one begins by deceiving
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