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Today's Stichomancy for George W. Bush

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mad King by Edgar Rice Burroughs:

would continue in the direction of Lustadt, wondering what in the world had become of their quarry. Or, if they guessed that his car had gone over into the river, they would doubt- less believe that its driver had gone with it. In either event Barney would be given ample time to find his way to Tann.

He wished that he might find other clothes, since if he were dressed otherwise there would be no reason to imagine that his pursuers would recognize him should they come upon him. None of them could possibly have gained a suf- ficiently good look at his features to recognize them again.

The Austrian uniform, however, would convict him, or at


The Mad King
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from My Antonia by Willa Cather:

more often about the ultimate disposition of their `property.' A new law was passed in the state, securing the surviving wife a third of her husband's estate under all conditions. Cutter was tormented by the fear that Mrs. Cutter would live longer than he, and that eventually her `people,' whom he had always hated so violently, would inherit. Their quarrels on this subject passed the boundary of the close-growing cedars, and were heard in the street by whoever wished to loiter and listen.

One morning, two years ago, Cutter went into the hardware store and bought a pistol, saying he was going to shoot a dog, and adding that


My Antonia
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

in multitude, heaped carcasses of kine. There are casks of claret and kegs of brandy and legions of bottles bobbing in the surf. There are billiard-tables overturned upon the sand;--there are sofas, pianos, footstools and music-stools, luxurious chairs, lounges of bamboo. There are chests of cedar, and toilet-tables of rosewood, and trunks of fine stamped leather stored with precious apparel. There are objets de luxe innumerable. There are children's playthings: French dolls in marvellous toilets, and toy carts, and wooden horses, and wooden spades, and brave little wooden ships that rode out the gale in which the great Nautilus went down. There is money in notes and in coin--in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac:

up to Hippolyte's studio, on the pretext of seeing the portrait in the good light in which it had been painted. She stood speechless and motionless, but in ecstatic contemplation, in which all a woman's feelings were merged. For are they not all comprehended in boundless admiration for the man she loves? When the painter, uneasy at her silence, leaned forward to look at her, she held out her hand, unable to speak a word, but two tears fell from her eyes. Hippolyte took her hand and covered it with kisses; for a minute they looked at each other in silence, both longing to confess their love, and not daring. The painter kept her hand in his, and the same glow, the same throb, told them