Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Groucho Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

Whateleys, a somewhat deformed, unattractive albino woman of thirty-five, living with an aged and half-insane father about whom the most frightful tales of wizardry had been whispered in his youth. Lavinia Whateley had no known husband, but according to the custom of the region made no attempt to disavow the child; concerning the other side of whose ancestry the country folk might - and did - speculate as widely as they chose. On the contrary, she seemed strangely proud of the dark, goatish-looking infant who formed such a contrast to her own sickly and pink-eyed albinism, and was heard to mutter many curious prophecies about its unusual powers and tremendous future.


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

weeks that preceded the hay-season had come--setting their special stamp upon Casterbridge by thronging the market with wood rakes, new waggons in yellow, green, and red, formidable scythes, and pitchforks of prong sufficient to skewer up a small family. Henchard, contrary to his wont, went out one Saturday afternoon towards the market-place from a curious feeling that he would like to pass a few minutes on the spot of his former triumphs. Farfrae, to whom he was still a comparative stranger, stood a few steps below the Corn Exchange door--a usual position with him at this hour--and he appeared lost in thought about something


The Mayor of Casterbridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

faculties of concentration and thought.

Bradley repeated his questions sharply.

"I am An-Tak, the Galu," replied the man. "Luata alone knows how long I have been here--maybe ten moons, maybe ten moons three times"--it was the Caspakian equivalent of thirty. "I was young and strong when they brought me here. Now I am old and very weak. I am cos-ata-lu--that is why they have not killed me. If I tell them the secret of becoming cos-ata-lu they will take me out; but how can I tell them that which Luata alone knows?

"What is cos-ata-lu?" demanded Bradley.

"Food! Food! There is a way out!" mumbled the Galu.


Out of Time's Abyss
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Prince Otto by Robert Louis Stevenson:

'If your Highness will allow me,' said the Baron, 'your Highness is so imperfectly acquainted with the internal history of this correspondence, that any interference will be merely hurtful. Such a paper as your Highness proposes would be to stultify the whole previous policy of Grunewald.'

'The policy of Grunewald!' cried the Prince. 'One would suppose you had no sense of humour! Would you fish in a coffee cup?'

'With deference, your Highness,' returned the Baron, 'even in a coffee cup there may be poison. The purpose of this war is not simply territorial enlargement; still less is it a war of glory; for, as your Highness indicates, the state of Grunewald is too small