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Today's Stichomancy for Groucho Marx

The first excerpt represents the past or something you must release, and is drawn from Cromwell by William Shakespeare:

stars, that I do verily think he'll read out his wife.

HODGE. He skill of the stars! there's good-man Car of Fulhum, he that carried us to the strong Ale, where goody Trundell had her maid got with child: O he knows the stars. He'll tickle you Charles Waine in nine degrees. That same man will tell you goody Trundell when her Ale shall miscarry, only by the stars.

SECOND SMITH. Aye, that's a great virtue; indeed I think Thomas be no body in comparison to him.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon:

downhill and uphill and on sloping ground; times, also, when he will need to leap across an obstacle; or, take a flying leap from off a bank;[1] or, jump down from a height, the rider must teach and train himself and his horse to meet all emergencies. In this way the two will have a chance of saving each the other, and may be expected to increase their usefulness.

[1] {ekpedan} = exsilire in altum (Sturz, and so Berenger); "to leap over ditches, and upon high places and down from them."

And here, if any reader should accuse us of repeating ourselves, on the ground that we are only stating now what we said before on the same topics,[2] we say that this is not mere repetition. In the former


On Horsemanship
The third excerpt represents the future or something you must embrace, and is drawn from Catherine de Medici by Honore de Balzac:

Calvin shook France at the beginning of the twenty two years of religious warfare now on the point of breaking out. This minister was one of the hidden wheels whose movements can best exhibit the wide- spread action of the Reform.

Chaudieu led Christophe to the water's edge through an underground passage, which was like that of the Marion tunnel filled up by the authorities about ten years ago. This passage, which was situated between the Lecamus house and the one adjoining it, ran under the rue de la Vieille-Pelleterie, and was called the Pont-aux-Fourreurs. It was used by the dyers of the City to go to the river and wash their flax and silks, and other stuffs. A little boat was at the entrance of