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Today's Stichomancy for Groucho Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Elixir of Life by Honore de Balzac:

be played out upon his death-bed.

For the same reason the largest part of his wealth was buried in the cellars of his palace at Ferrara, whither he seldom went. As for the rest of his fortune, it was invested in a life annuity, with a view to give his wife and children an interest in keeping him alive; but this Machiavellian piece of foresight was scarcely necessary. His son, young Felipe Belvidero, grew up as a Spaniard as religiously conscientious as his father was irreligious, in virtue, perhaps, of the old rule, "A miser has a spendthrift son." The Abbot of San-Lucar was chosen by Don Juan to be the director of the consciences of the Duchess of Belvidero and her

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pupil by Henry James:

that at a given moment you could say an intelligent child didn't know. It seemed to him that he himself knew too much to imagine Morgan's simplicity and too little to disembroil his tangle.

The boy paid no heed to his last remark; he only went on: "I'd have spoken to them about their idea, as I call it, long ago, if I hadn't been sure what they'd say."

"And what would they say?"

"Just what they said about what poor Zenobie told me - that it was a horrid dreadful story, that they had paid her every penny they owed her."

"Well, perhaps they had," said Pemberton.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

note of originality: a long beam, turning on a post, and kept slightly horizontal by a counterweight of stones. Regularly about sundown this rude barrier was swung, like a derrick, across the road and made fast, I think, to a tree upon the farther side.

On our arrival there followed a gay scene in the bar. I was presented to Mr. Corwin, the landlord; to Mr. Jennings, the engineer, who lives there for his health; to Mr. Hoddy, a most pleasant little gentleman, once a member of the Ohio legislature, again the editor of a local paper, and now, with undiminished dignity, keeping the Toll House bar. I had a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

by means of a breeches-buoy arrangement. Our sensations on first treading Antarctic soil were poignant and complex, even though at this particular point the Scott and Shackleton expeditions had preceded us. Our camp on the frozen shore below the volcano’s slope was only a provisional one, headquarters being kept aboard the Arkham. We landed all our drilling apparatus, dogs, sledges, tents, provisions, gasoline tanks, experimental ice-melting outfit, cameras, both ordinary and aerial, aeroplane parts, and other accessories, including three small portable wireless outfits - besides those in the planes - capable of communicating with the Arkham’s large outfit from any part of the antarctic continent


At the Mountains of Madness