|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:
"Sometimes, indeed, the neighbours thought it strange that the rich
Miller never gave little Hans anything in return, though he had a
hundred sacks of flour stored away in his mill, and six milch cows,
and a large flock of woolly sheep; but Hans never troubled his head
about these things, and nothing gave him greater pleasure than to
listen to all the wonderful things the Miller used to say about the
unselfishness of true friendship.
"So little Hans worked away in his garden. During the spring, the
summer, and the autumn he was very happy, but when the winter came,
and he had no fruit or flowers to bring to the market, he suffered
a good deal from cold and hunger, and often had to go to bed
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedo by Plato:
by the winds and be nowhere and nothing.
When Socrates had done speaking, for a considerable time there was silence;
he himself appeared to be meditating, as most of us were, on what had been
said; only Cebes and Simmias spoke a few words to one another. And
Socrates observing them asked what they thought of the argument, and
whether there was anything wanting? For, said he, there are many points
still open to suspicion and attack, if any one were disposed to sift the
matter thoroughly. Should you be considering some other matter I say no
more, but if you are still in doubt do not hesitate to say exactly what you
think, and let us have anything better which you can suggest; and if you
think that I can be of any use, allow me to help you.
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Master of the World by Jules Verne:
source did his batteries get their power? Had he somewhere an
electric factory, to which he must return? Were the dynamos, perhaps
working in one of the caverns of this hollow?
The result of my examination was that, while I could see that the
machine used wheels and turbine screws and wings, I knew nothing of
either its engine, nor of the force which drove it. To be sure, the
discovery of this secret would be of little value to me. To employ it
I must first be free. And after what I knew -- little as that really
was -- the Master of the World would never release me.
There remained, it is true, the chance of escape. But would an
opportunity ever present itself? If there could be none during the
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Secret Adversary by Agatha Christie:
little girl! I'm sorry about the whole business--confoundedly
Tommy came to himself with a start.
"I'm taking up your time, sir," he said with an effort. "There's
no need for you to blame yourself. I dare say we were a couple
of young fools to take on such a job. You warned us all right.
But I wish to God I'd been the one to get it in the neck.
Back at the Ritz, Tommy packed up his few belongings
mechanically, his thoughts far away. He was still bewildered by
the introduction of tragedy into his cheerful commonplace