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Today's Stichomancy for H. P. Lovecraft

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Registered Letter by Grace Isabel Colbron and Augusta Groner:

His voice had grown weaker, and he breathed hard. Finally he continued: "I commanded my ward to break off her engagement, as I could not allow her to marry a man who was a freed convict. Siders sold his property some few weeks after that and moved to G-. Eleonora acquiesced in my commands, but she was very unhappy and allowed me to see very little of her. Then came the events of the evening of September 23rd, the events which have turned out so terribly. I will try to tell you the story just as it happened, so far as I am concerned. I had seen nothing of John since he left this town. He had made several attempts before his departure for G- to change my opinion, and my decision as to his marriage to my

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Boys' Life of Abraham Lincoln by Helen Nicolay:

held two years later, he said, "In that day I shall fight in the ranks, but I shall be in no one's way for any of the places." To another correspondent he expressed himself even more frankly: "Of course I wished, but I did not much expect, a better result. . . . I am glad I made the late race. It gave me a hearing on the great and durable question of the age, which I could have had in no other way; and though I now sink out of view and shall be forgotten, I believe I have made some marks which will tell for the cause of civil liberty long after I am gone."

But he was not to "sink out of view and be forgotten." Douglas himself contributed not a little toward keeping his name before

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato:

opposites, when you mingle with them the class of the finite, takes certain forms.

SOCRATES: Yes, that is my meaning.


SOCRATES: Does not the right participation in the finite give health--in disease, for instance?

PROTARCHUS: Certainly.

SOCRATES: And whereas the high and low, the swift and the slow are infinite or unlimited, does not the addition of the principles aforesaid introduce a limit, and perfect the whole frame of music?

PROTARCHUS: Yes, certainly.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sylvie and Bruno by Lewis Carroll:

"Give me your names."

"We'd rather not!" Bruno exclaimed, pulling' Sylvie away from the door. "We want them ourselves. Come back, Sylvie! Come quick!"

"Nonsense!', said Sylvie very decidedly: and gave their names in Doggee.

Then the Sentinel scratched violently at the door, and gave a yell that made Bruno shiver from head to foot.

"Hooyah wah!" said a deep voice inside. (That's Doggee for "Come in!")

"It's the King himself!" the Mastiff whispered in an awestruck tone. "Take off your wigs, and lay them humbly at his paws." (What we should call "at his feet.")

Sylvie was just going to explain, very politely, that really they

Sylvie and Bruno