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Today's Stichomancy for Halle Berry

The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale:

The head that lay against your knees In the leaf shadow's amethyst.

And still another shining place We would remember -- how the dun Wild mountain held us on its crest One diamond morning white with sun.

But I will turn my eyes from you As women turn to put away The jewels they have worn at night And cannot wear in sober day.

II

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Where There's A Will by Mary Roberts Rinehart:

"No, she's not that kind!" he agreed, and never noticed the slip.

"You know, Minnie, women aren't all alike, but they're not all different. An English writer has them classified to a T--there's the mother woman--that's you. You're always mothering somebody with that maternal spirit of yours. It's a pity it's vicarious."

I didn't say anything, not knowing just what he meant. But I've looked it up since and I guess he was about right.

"And there's the mistress woman--Mrs. Dicky, for example, or--" he saw Miss Cobb's curler on the mantel and picked it up--"or even Miss Cobb," he said. "Coquetry and selfishness without maternal instinct. How much of Miss Cobb's virtue is training

The third excerpt represents the future or something you must embrace, and is drawn from Pierrette by Honore de Balzac:

This chatterer believed himself an orator. The necessity of explaining to customers what they want, of guessing at their desires, and giving them desires for what they do not want, exercises the tongue of all retail shopkeepers. The petty dealer acquires the faculty of uttering words and sentences in which there is absolutely no meaning, but which have a marked success. He explains to his customers matters of manufacture that they know nothing of; that alone gives him a passing superiority over them; but take him away from his thousand and one explanations about his thousand and one articles, and he is, relatively to thought, like a fish out of water in the sun.

Rogron and Sylvie, two mechanisms baptized by mistake, did not