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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from The Commission in Lunacy by Honore de Balzac: which the number of instruments renders distracting.
The general system of decoration in this passage, which is neither
courtyard, garden, nor vaulted way, though a little of all, consists
of wooden pillars resting on square stone blocks, and forming arches.
Two archways open on to the little garden; two others, facing the
front gateway, lead to a wooden staircase, with an iron balustrade
that was once a miracle of smith's work, so whimsical are the shapes
given to the metal; the worn steps creak under every tread. The
entrance to each flat has an architrave dark with dirt, grease, and
dust, and outer doors, covered with Utrecht velvet set with brass
nails, once gilt, in a diamond pattern. These relics of splendor show
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