| The first excerpt represents the past or something you must release, and is drawn from Ivanhoe by Walter Scott: general history.
An incident in the tale, which had the good
fortune to find favour in the eyes of many readers,
is more directly borrowed from the stores
of old romance. I mean the meeting of the
King with Friar Tuck at the cell of that buxom
hermit. The general tone of the story belongs
to all ranks and all countries, which emulate
each other in describing the rambles of a disguised
sovereign, who, going in search of information
or amusement, into the lower ranks
 Ivanhoe |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Arrow by Robert Louis Stevenson: "I will go some little way with you," said Dick. "The night is
dark. I would fain leave you on a path, at least. My mind
misgiveth me, y' are likely to be lost."
Without any more words, he began to walk forward, and the other
once more followed him. The blackness grew thicker and thicker.
Only here and there, in open places, they saw the sky, dotted with
small stars. In the distance, the noise of the rout of the
Lancastrian army still continued to be faintly audible; but with
every step they left it farther in the rear.
At the end of half an hour of silent progress they came forth upon
a broad patch of heathy open. It glimmered in the light of the
|
The third excerpt represents the future or something you must embrace, and is drawn from Enoch Arden, &c. by Alfred Tennyson: But when the last of those last moments came,
`Annie my girl, cheer up, be comforted,
Look to the babes, and till I come again,
Keep everything shipshape, for I must go.
And fear no more for me; or if you fear
Cast all your cares on God; that anchor holds.
Is He not yonder in those uttermost
Parts of the morning? if I flee to these
Can I go from Him? and the sea is His,
The sea is His: He made it.'
Enoch rose,
|