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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A House of Pomegranates by Oscar Wilde:

As he leapt upon the saddle he turned round, and looked at the young Fisherman sadly.

And the Witch with the red hair tried to fly away also, but the Fisherman caught her by her wrists, and held her fast.

'Loose me,' she cried, 'and let me go. For thou hast named what should not be named, and shown the sign that may not be looked at.'

'Nay,' he answered, 'but I will not let thee go till thou hast told me the secret.'

'What secret?' said the Witch, wrestling with him like a wild cat, and biting her foam-flecked lips.

'Thou knowest,' he made answer.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

time had referred their disputes to him for arbitration. All gently bred Imperalists and the authorities themselves showed as much indulgence for his prejudices as respect for his personal character; but there was another and a large section of the new society which was destined to be known after the Restoration as the Liberal party; and these, with du Croisier as their unacknowledged head, laughed at an aristocratic oasis which nobody might enter without proof of irreproachable descent. Their animosity was all the more bitter because honest country squires and the higher officials, with a good many worthy folk in the town, were of the opinion that all the best society thereof was to be found in the Marquis d'Esgrignon's salon.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

his character, to display some outline of the marvellous grace that was abortive in it, and to make him the object of No less deep, although less melancholy interest than heretofore. He was evidently happy. Could we pause to give another picture of his daily life, with all the appliances now at command to gratify his instinct for the Beautiful, the garden scenes, that seemed so sweet to him, would look mean and trivial in comparison.

Very soon after their change of fortune, Clifford, Hepzibah, and little Phoebe, with the approval of the artist, concluded to remove from the dismal old House of the Seven Gables, and take up their abode, for the present, at the elegant country-seat of the late


House of Seven Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato:

conversation is said to have taken place when Theaetetus was a youth, and shortly before the death of Socrates. At the time of his own death he is supposed to be a full-grown man. Allowing nine or ten years for the interval between youth and manhood, the dialogue could not have been written earlier than 390, when Plato was about thirty-nine years of age. No more definite date is indicated by the engagement in which Theaetetus is said to have fallen or to have been wounded, and which may have taken place any time during the Corinthian war, between the years 390-387. The later date which has been suggested, 369, when the Athenians and Lacedaemonians disputed the Isthmus with Epaminondas, would make the age of Theaetetus at his death forty-five or forty-six. This a little impairs the beauty of