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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the past or something you must release, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

repudiation of actual anti-Semitism may be on the part of all prudent and political men, this prudence and policy is not perhaps directed against the nature of the sentiment itself, but only against its dangerous excess, and especially against the distasteful and infamous expression of this excess of sentiment;- -on this point we must not deceive ourselves. That Germany has amply SUFFICIENT Jews, that the German stomach, the German blood, has difficulty (and will long have difficulty) in disposing only of this quantity of "Jew"--as the Italian, the Frenchman, and the Englishman have done by means of a stronger digestion:--that is the unmistakable declaration and language of a general instinct,


Beyond Good and Evil
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Kwaidan by Lafcadio Hearn:

that terrible night. He had been greatly frightened also by the old man's death; but he said nothing about the vision of the woman in white. As soon as he got well again, he returned to his calling,-- going alone every morning to the forest, and coming back at nightfall with his bundles of wood, which his mother helped him to sell.

One evening, in the winter of the following year, as he was on his way home, he overtook a girl who happened to be traveling by the same road. She was a tall, slim girl, very good-looking; and she answered Minokichi's greeting in a voice as pleasant to the ear as the voice of a song-bird. Then he walked beside her; and they began to talk. The girl said that her name was O-Yuki [2]; that she had lately lost both of her parents; and that


Kwaidan
The third excerpt represents the future or something you must embrace, and is drawn from The Age of Innocence by Edith Wharton:

"Yes; she's one of the few. In my youth," Miss Jackson rejoined, "it was considered vulgar to dress in the newest fashions; and Amy Sillerton has always told me that in Boston the rule was to put away one's Paris dresses for two years. Old Mrs. Baxter Pennilow, who did everything handsomely, used to import twelve a year, two velvet, two satin, two silk, and the other six of poplin and the finest cashmere. It was a standing order, and as she was ill for two years before she died they found forty-eight Worth dresses that had never been taken out of tissue paper; and when the girls left