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Today's Stichomancy for Hans Christian Andersen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Yates Pride by Mary E. Wilkins Freeman:

glister of old glass.

A gardener, with a boy assistant, was at work in the grounds when Eudora entered. He touched his cap. He was an old man who had lived with the Lancasters ever since Eudora could remember. He advanced toward her now. "Sha'n't Tommy push--the baby-carriage up to the house for you, Miss Eudora?" he said, in his cracked old voice.

Eudora flushed slightly, and, as if in response, the old man flushed, also. "No, I thank you, Wilson," she said, and moved on.

The boy, who was raking dry leaves, stood gazing at them with a shrewd, whimsical expression. He was the old man's grandson.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

Naked and fleet -- For my love has returned, He is home, he is here, In the whole world no other Is dear as my dear!

Gray Eyes

It was April when you came The first time to me, And my first look in your eyes Was like my first look at the sea.

We have been together

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

It was a great square building, and the Muffats had lived in it for a hundred years or more. On the side of the street its frontage seemed to slumber, so lofty was it and dark, so sad and conventlike, with its great outer shutters, which were nearly always closed. And at the back in a little dark garden some trees had grown up and were straining toward the sunlight with such long slender branches that their tips were visible above the roof.

This particular Tuesday, toward ten o'clock in the evening, there were scarcely a dozen people in the drawing room. When she was only expecting intimate friends the countess opened neither the little drawing room nor the dining room. One felt more at home on such

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paradise Lost by John Milton:

Drew audience and attention still as night Or summer's noontide air, while thus he spake:-- "Thrones and Imperial Powers, Offspring of Heaven, Ethereal Virtues! or these titles now Must we renounce, and, changing style, be called Princes of Hell? for so the popular vote Inclines--here to continue, and build up here A growing empire; doubtless! while we dream, And know not that the King of Heaven hath doomed This place our dungeon, not our safe retreat Beyond his potent arm, to live exempt


Paradise Lost