Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of the West by O. Henry:

despair when he realises that he has lost the most precious gift life had to offer him. Then his withdrawal from the world of sorrow and the subsequent derangement of his faculties becomes intelligible.

"But what do I see on the other hand? A lonely woman fading away as the years roll by; still faithful, still waiting, still watching for a form and listening for a step that will come no more. She is old now. Her hair is white and smoothly banded. Each day she sits at the door and gazes longingly down the dusty road. In spirit she is waiting there at the gate, just as he left her--his forever, but not here below. Yes; my belief in woman paints that picture in my mind. Parted forever on earth, but waiting! She in anticipation of a meeting in

Heart of the West

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A treatise on Good Works by Dr. Martin Luther:

at the misfortune of Christendom, to pray for which we gather together in Church and at the mass, that we blaspheme and condemn men, this is the fruit of our mad materialism. If the Turk destroys cities, country and people, and ruins churches, we think a great injury has been done Christendom. Then we complain, and urge kings and princes to war. But when faith perishes, love grows cold, God's Word is neglected, and all manner of sin flourishes, then no one thinks of fighting, nay, pope, bishops, priests and clergy, who ought to be generals, captains and standard-bearers in this spiritual warfare against these spiritual and many times worse Turks, these are themselves the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

GERALD. [To LORD ILLINGWORTH.] Do speak to my mother, Lord Illingworth, before you go into the music-room. She seems to think, somehow, you don't mean what you said to me.

MRS. ALLONBY. Aren't you coming?

LORD ILLINGWORTH. In a few moments. Lady Hunstanton, if Mrs. Arbuthnot would allow me, I would like to say a few words to her, and we will join you later on.

LADY HUNSTANTON. Ah, of course. You will have a great deal to say to her, and she will have a great deal to thank you for. It is not every son who gets such an offer, Mrs. Arbuthnot. But I know you appreciate that, dear.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Woman of No Importance by Oscar Wilde:

SCENE

Drawing-room at Hunstanton, after dinner, lamps lit. Door L.C. Door R.C.

[Ladies seated on sofas.]

MRS. ALLONBY. What a comfort it is to have got rid of the men for a little!

LADY STUTFIELD. Yes; men persecute us dreadfully, don't they?

MRS. ALLONBY. Persecute us? I wish they did.

LADY HUNSTANTON. My dear!

MRS. ALLONBY. The annoying thing is that the wretches can be perfectly happy without us. That is why I think it is every