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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Daughter of Eve by Honore de Balzac:

that sham great poet, these three bold minds were trampling with jests over the tender flowers of her dawning love. Ah! if women only knew the cynical tone that such men, so humble, so fawning in their presence, take behind their backs! how they sneer at what they say they adore! Fresh, pure, gracious being, how the scoffing jester disrobes and analyzes her! but, even so, the more she loses veils, the more her beauty shines.

Marie was at this moment comparing Raoul and Felix, without imagining the danger there might be for her in such comparisons. Nothing could present a greater contrast than the disorderly, vigorous Raoul to Felix de Vandenesse, who cared for his person like a dainty woman,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:

church. Charon's ferry-boat was one of these vessels, and another was Odin's golden ship, in which the souls of slain heroes were conveyed to Valhalla. Hence it was once the Scandinavian practice to bury the dead in boats; and in Altmark a penny is still placed in the mouth of the corpse, that it may have the means of paying its fare to the ghostly ferryman.[38] In such a vessel drifted the Lady of Shalott on her fatal voyage; and of similar nature was the dusky barge, "dark as a funeral-scarf from stem to stern," in which Arthur was received by the black-hooded queens.[39]

[33] "Saga me forwhan byth seo sunne read on aefen? Ic the

Myths and Myth-Makers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

bosom of Barsoom you are one. I know that I can trust you, and because the knowledge may someday help you or him or Dejah Thoris or myself, I am going to tell you the name of my father, nor place any restrictions or conditions upon your tongue. When the time comes, speak the truth if it seems best to you. I trust you because I know that you are not cursed with the terrible trait of absolute and unswerving truthfulness, that you could lie like one of your own Virginia gentlemen if a lie would save others from sorrow or suffering. My father's name is Tars Tarkas."


The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

Italian front. The Prince is a source of anxiety on these visits; he has a very strong and very creditable desire to share the ordinary risks of war. He is keenly interested, and unobtrusively bent upon getting as near the fighting as line as possible. But the King of Italy was firm upon keeping him out of anything more than the most incidental danger. "We don't want any historical incidents here," he said. I think that might well become an historical phrase. For the life of the Effigy is a series of historical incidents.


Manifestly one might continue to multiply portraits of fine