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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Origin of Species by Charles Darwin:

which thus jostle each other most closely, shall, as a general rule, belong to what we call different genera and orders.

The same principle is seen in the naturalisation of plants through man's agency in foreign lands. It might have been expected that the plants which have succeeded in becoming naturalised in any land would generally have been closely allied to the indigenes; for these are commonly looked at as specially created and adapted for their own country. It might, also, perhaps have been expected that naturalised plants would have belonged to a few groups more especially adapted to certain stations in their new homes. But the case is very different; and Alph. De Candolle has well remarked in his great and admirable work, that floras gain by naturalisation,


On the Origin of Species
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac:

desired by Clemence, who wished to spare him the sight of the religious paraphernalia, so terrible to tender imaginations, which the Church displays when conferring the last sacraments upon the dying.

"You could not have borne it," said his brother. "I could hardly bear the sight myself, and all the servants wept. Clemence was like a saint. She gathered strength to bid us all good-bye, and that voice, heard for the last time, rent our hearts. When she asked pardon for the pain she might unwillingly have caused her servants, there were cries and sobs and--"

"Enough! enough!" said Jules.

He wanted to be alone, that he might read the last words of the woman


Ferragus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1984 by George Orwell:

heard O'Brien's voice. All through his interrogation, although he had never seen him, he had had the feeling that O'Brien was at his elbow, just out of sight. It was O'Brien who was directing everything. It was he who set the guards on to Winston and who prevented them from killing him. It was he who decided when Winston should scream with pain, when he should have a respite, when he should be fed, when he should sleep, when the drugs should be pumped into his arm. It was he who asked the questions and suggested the answers. He was the tormentor, he was the protector, he was the inquisitor, he was the friend. And once--Winston could not remember whether it was in drugged sleep, or in normal sleep, or even in a moment of wakefulness--a voice murmured in his ear: 'Don't worry, Winston; you


1984
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

yards. I never saw a more splendid sight in all my hunting experience than those four lions bounding across the veldt, overshadowed by the dense pall of smoke and backed by the fiery furnace of the burning reeds.

"I reckoned that they would pass, on their way to the bushy kloof, within about five and twenty yards of me, so, taking a long breath, I got my gun well on to the lion's shoulder--the black-maned one--so as to allow for an inch or two of motion, and catch him through the heart. I was on, dead on, and my finger was just beginning to tighten on the trigger, when suddenly I went blind--a bit of reed-ash had drifted into my right eye. I danced and rubbed, and succeeded in clearing it more or


Long Odds