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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

spent to put this on she's been--"

He choked over the words, and sank into a chair, face convulsed, hands shaking, weak in the grip of a grief that he had never before known. Suddenly he flung the dress into the fire. His wife fell to the floor in a dead faint. Then the desert-hawk showed his claws. His hands tore at the close scarf round his throat as if to liberate a fury that was stifling him; his face lost all semblance to anything human. He began to howl, to rave, to curse; and his father circled him with iron arm and dragged him from the room.

The children were whimpering, the wives lamenting. The quiet men searched the house and yard and corrals and fields. But they found no


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Emerald City of Oz by L. Frank Baum:

plentiful and of excellent quality, and often he has told me things I might never have thought of myself. I must say I rely a great deal upon the Scarecrow's brains in this emergency."

The Tin Woodman rode on the front seat of the wagon, where Dorothy sat between him and the Wizard.

"Has the Scarecrow heard of Ozma's trouble?" asked the Captain General.

"I do not know, sir," was the reply.

"When I was a private," said Omby Amby, "I was an excellent army, as I fully proved in our war against the Nomes. But now there is not a single private left in our army, since Ozma made me the Captain General, so there is no one to fight and defend our lovely Ruler."


The Emerald City of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Misalliance by George Bernard Shaw:

THE MAN. Lucinda Titmus.

TARLETON. Well, I ought to remember a rum name like that if I ever heard it. But I dont. Have you a photograph or anything?

THE MAN. Forgotten even the name of your victim!

TARLETON. Oh! she was my victim, was she?

THE MAN. She was. And you shall see her face again before you die, dead as she is. I have a photograph.

TARLETON. Good.

THE MAN. Ive two photographs.

TARLETON. Still better. Treasure the mother's pictures. Good boy!

THE MAN. One of them as you knew her. The other as she became when

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Blue Flower by Henry van Dyke:

light--only speechless anguish, and a certain fearful looking-for of desolation.

He was like a man in a nightmare. He saw the shapeless terror that was moving toward him, but he was impotent to stay or to escape it. He had done all that he could. There was nothing left but to wait.

He paced to and fro, now hurrying to the boy's bed as if he could not bear to be away from it, now turning back as if he could not endure to be near it. The people of the house, even Athenais, feared to speak to him, there was something so vacant and desperate in his face.