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Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madame Firmiani by Honore de Balzac:

what I think of her; she is a woman between thirty and thirty-five; faded complexion, handsome eyes, flat figure, contralto voice worn out, much dressed, rather rouged, charming manners; in short, my dear fellow, the remains of a pretty woman who is still worth the trouble of a passion." This remark is from the species Fop, who has just breakfasted, doesn't weigh his words, and is about to mount his horse. At that particular moment Fops are pitiless.

"Magnificent collection of pictures in her house; go and see them by all means," answers another. "Nothing finer." You have questioned one of the species Connoisseur. He leaves you to go to Perignon's or Tripet's. To him, Madame Firmiani is a collection of painted canvases.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

peaks and did not know one direction from another. Even when Jim struck out of our trail and went off alone toward Holston I could not form an idea of where I was. All this, however, added to my feeling of the bigness of Penetier.

Dick was taciturn, and old Hiram, when I tried to engage him in conversation, cut me off with the remark that I would need my breath on the morrow. This somewhat offended me. So I made my bed and rolled into it. Not till I had lain quiet for a little did I realize that every bone and muscle felt utterly worn out. I seemed to deaden and stiffen more each moment. Presently Dick breathed heavily and Hiram snored. The red glow of fire paled and died. I heard the clinking of the hobbles on Target, and a step,


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Black Beauty by Anna Sewell:

but I heard a crash of something falling in the stable, and the next moment I gave a loud, joyful neigh, for I saw James coming through the smoke leading Ginger with him; she was coughing violently, and he was not able to speak.

"My brave lad!" said master, laying his hand on his shoulder, "are you hurt?"

James shook his head, for he could not yet speak.

"Ay," said the big man who held me; "he is a brave lad, and no mistake."

"And now," said master, "when you have got your breath, James, we'll get out of this place as quickly as we can," and we were moving toward the entry, when from the market-place there came a sound

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

was speed. The musicians played in intent fury. A woman was singing and smiling upon the stage, but no one took notice of her. The rate at which the piano, cornet and violins were going, seemed to impart wildness to the half-drunken crowd. Beer glasses were emptied at a gulp and conversation became a rapid chatter. The smoke eddied and swirled like a shadowy river hurrying toward some unseen falls. Pete and Maggie entered the hall and took chairs at a table near the door. The woman who was seated there made an attempt to occupy Pete's attention and, failing, went away.

Three weeks had passed since the girl had left home. The air of spaniel-like dependence had been magnified and showed its direct


Maggie: A Girl of the Streets