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Today's Stichomancy for Heidi Klum

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Myths and Myth-Makers by John Fiske:

a double function, is supposed to rush at night over the tree-tops, "accompanied by the scudding train of brave men's spirits." And readers of recent French literature cannot fail to remember Erokmann-Chatrian's terrible story of the wild huntsman Vittikab, and how he sped through the forest, carrying away a young girl's soul.

[17] Hence perhaps the adage, "Always remember to pay the piper."

Thus, as Tannhauser is the Northern Ulysses, so is Goethe's Erlking none other than the Piper of Hamelin. And the piper, in turn, is the classic Hermes or Orpheus, the counterpart of


Myths and Myth-Makers
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Earth's Core by Edgar Rice Burroughs:

when something, a slight noise I imagine, drew my attention behind me.

As I turned, romance, adventure, and discovery in the abstract took wing before the terrible embodiment of all three in concrete form that I beheld advancing upon me.

A huge, slimy amphibian it was, with toad-like body and the mighty jaws of an alligator. Its immense carcass must have weighed tons, and yet it moved swiftly and silently toward me. Upon one hand was the bluff that ran from the canyon to the sea, on the other the fearsome swamp from which the creature had sneaked upon me, behind lay the mighty untracked sea,


At the Earth's Core
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from St. Ives by Robert Louis Stevenson:

CHAPTER XII - I FOLLOW A COVERED CART NEARLY TO MY DESTINATION

AT last I began to draw near, by reasonable stages, to the neighbourhood of Wakefield; and the name of Mr. Burchell Fenn came to the top in my memory. This was the gentleman (the reader may remember) who made a trade of forwarding the escape of French prisoners. How he did so: whether he had a sign-board, ESCAPES FORWARDED, APPLY WITHIN; what he charged for his services, or whether they were gratuitous and charitable, were all matters of which I was at once ignorant and extremely curious. Thanks to my proficiency in English, and Mr. Romaine's bank-notes, I was getting on swimmingly without him; but the trouble was that I could not be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

the sofa. Then she stretched herself out there, never uttering a sound. She did not sleep. She did not go to bed. The lamp sputtered and went out. She was still awake in the morning, when Celestine unlocked the kitchen door and came in to light the fire.

XXXIX

Victor, with hammer and nails and scraps of scantling, was patching a corner of one of the galleries. Mariequita sat near by, dangling her legs, watching him work, and handing him nails from the tool-box. The sun was beating down upon them. The girl had covered her head with her apron folded into a square pad. They had been talking for an hour or more. She was never tired of hearing


Awakening & Selected Short Stories