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Today's Stichomancy for Henry Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

carried out my case just as well. Your modern commerce is no more buying and selling than sculpture. It's mercy--it's salvation. It's rescue work! It takes all sorts of fallen commodities by the hand and raises them. Cana isn't in it. You turn water--into Tono-Bungay."

"Tono-Bungay's all right," said my uncle, suddenly grave. "We aren't talking of Tono-Bungay."

"Your nephew, sir, is hard; he wants everything to go to a sort of predestinated end; he's a Calvinist of Commerce. Offer him a dustbin full of stuff; he calls it refuse--passes by on the other side. Now YOU, sir you'd make cinders respect themselves."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

an inn.

HASTINGS. As you say, we passengers are to be taxed to pay all these fineries. I have often seen a good sideboard, or a marble chimney-piece, though not actually put in the bill, inflame a reckoning confoundedly.

MARLOW. Travellers, George, must pay in all places: the only difference is, that in good inns you pay dearly for luxuries; in bad inns you are fleeced and starved.

HASTINGS. You have lived very much among them. In truth, I have been often surprised, that you who have seen so much of the world, with your natural good sense, and your many opportunities, could never yet


She Stoops to Conquer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

arm. I made it, however, and found this unexplored part of my domain rather attractive. It was cooler than down-stairs, and I sat on the brick parapet and smoked my final cigarette. The roof of the empty house adjoined mine along the back wing, but investigation showed that the trap-door across the low dividing wall was bolted underneath.

There was nothing out of the ordinary anywhere, and so I assured Mrs. Klopton. Needless to say, I did not tell her that I had left the trap-door open, to see if it would improve the temperature of the house. I went to bed at midnight, merely because there was nothing else to do. I turned on the night lamp at the head of my


The Man in Lower Ten
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack feel to the level of his knees. Some loose boards laid upon the ties supporting the rails of the railway supplied a footing for him and his executioners -- two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as


An Occurrence at Owl Creek Bridge