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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cousin Betty by Honore de Balzac:

beg of you as a favor to tell me so," he went on, in a tone of almost childlike entreaty; "but do not vilify the woman I love."

"Nay, indeed," said Carabine in a low voice; "but if, on the contrary, you are shamefully betrayed, cheated, tricked by Valerie, if I should give you the proof in an hour, in my own house, what then?"

"I cannot tell you before all these Iagos," said the Brazilian.

Carabine understood him to say /magots/ (baboons).

"Well, well, say no more!" she replied, smiling. "Do not make yourself a laughing-stock for all the wittiest men in Paris; come to my house, we will talk it over."

Montes was crushed. "Proofs," he stammered, "consider--"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To-morrow by Joseph Conrad:

in the place. Didn't like the people. He would not have left his own country if it had not been clear that his son had taken a fancy to Colebrook.

She humoured him in silence, listening patiently by the fence; crocheting with downcast eyes. Blushes came with difficulty on her dead-white complexion, under the negligently twisted opu- lence of mahogany-coloured hair. Her father was frankly carroty.

She had a full figure; a tired, unrefreshed face. When Captain Hagberd vaunted the necessity and


To-morrow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

smoke was leaping up to mingle with the steam from the river, and as the Heat-Ray went to and fro over Weybridge its impact was marked by flashes of incandescent white, that gave place at once to a smoky dance of lurid flames. The nearer houses still stood intact, awaiting their fate, shadowy, faint and pallid in the steam, with the fire behind them going to and fro.

For a moment perhaps I stood there, breast-high in the almost boiling water, dumbfounded at my position, hopeless of escape. Through the reek I could see the people who had been with me in the river scrambling out of the water


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Octopus by Frank Norris:

vague amid the grasses, like webs of white satin on the bed of a lake. Against the eastern wall the headstones of the graves, an indistinct procession of grey cowls ranged themselves.

Vanamee crossed the garden, pausing to kiss the turf upon Angele's grave. Then he approached the line of pear trees, and laid himself down in their shadow, his chin propped upon his hands, his eyes wandering over the expanse of the little valley that stretched away from the foot of the hill upon which the Mission was built.

Once again he summoned the Vision. Once again he conjured up the Illusion. Once again, tortured with doubt, racked with a