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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Critias by Plato:

evidently designed to contrast with the myriads and barbaric array of the Atlantic hosts. The passing remark in the Timaeus that Athens was left alone in the struggle, in which she conquered and became the liberator of Greece, is also an allusion to the later history. Hence we may safely conclude that the entire narrative is due to the imagination of Plato, who has used the name of Solon and introduced the Egyptian priests to give verisimilitude to his story. To the Greek such a tale, like that of the earth-born men, would have seemed perfectly accordant with the character of his mythology, and not more marvellous than the wonders of the East narrated by Herodotus and others: he might have been deceived into believing it. But it appears strange that later ages should have been

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac:

rustic parents, who had never heard an unfit word, whose pure unsullied mind had never known the slightest evil thought,--to the angelic pupil of Soeur Marthe and the vicar of Saint-Etienne the revelation of love, the life of womanhood, came from the hand of genius through one sweet book. To any other mind the book would have offered no danger; to her it was worse in its effects than an obscene tale. Corruption is relative. There are chaste and virgin natures which a single thought corrupts, doing all the more harm because no thought of the duty of resistance has occurred.

The next day Veronique showed the book to the good priest, who approved the purchase; for what could be more childlike and innocent

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

"You are quite dispassionate!" Her eyes were always toward the window.

"That's my 'sacred trust.'"

It made her look at me. "Yours?"

"Not yours--yet! It would be yours if you had won." I thought a slight change came in her steady scrutiny. "And, Miss La Heu, it was awful about the negro. It is awful. The young North thinks so just as much as you do. Oh, we shock our old people! We don't expect them to change, but they mustn't expect us not to. And even some of them have begun to whisper a little doubtfully. But never mind them--here's the negro. We can't kick him out. That plan is childish. So, it's like two men having to live in one house. The white man would keep the house in repair, the black would

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

the very birds in the verandah might communicate a flavour, and that romantic cellar influence the bottle next to be uncorked in Pimlico, and the smile of jolly Mr. Schram might mantle in the glass.

But these are but experiments. All things in this new land are moving farther on: the wine-vats and the miner's blasting tools but picket for a night, like Bedouin pavillions; and to-morrow, to fresh woods! This stir of change and these perpetual echoes of the moving footfall, haunt the land. Men move eternally, still chasing Fortune; and, fortune found, still wander. As we drove back to