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Today's Stichomancy for Hillary Clinton

The first excerpt represents the past or something you must release, and is drawn from The Forged Coupon by Leo Tolstoy:

said grace, thanked his hosts, and went away to rest.

Mitri did not lie down, but ran to the shop to buy some tobacco. He was longing for a smoke. While he smoked he chatted to a man from Demensk, asking the price of cattle, as he saw that he would not be able to manage without sell- ing a cow. When he returned to the others, they were already back at work again; and so it went on till the evening.

Among these downtrodden, duped, and de-


The Forged Coupon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde:

looked upon human beings as obstructions. They have tried to educate boys' minds before they had any. How much better it would be in these early years to teach children to use their hands in the rational service of mankind. I would have a workshop attached to every school, and one hour a day given up to the teaching of simple decorative arts. It would be a golden hour to the children. And you would soon raise up a race of handicraftsmen who would transform the face of your country. I have seen only one such school in the United States, and this was in Philadelphia and was founded by my friend Mr. Leyland. I stopped there yesterday and have brought some of the work here this afternoon to show you.

The third excerpt represents the future or something you must embrace, and is drawn from Massimilla Doni by Honore de Balzac:

mistress of the box, but when both seats are full, if another visitor comes in, the one who has sat longest rises, takes his leave and departs. All move up one place, and so each in turn is next the sovereign.

This futile gossip, or serious colloquy, these elegant trivialities of Italian life, inevitably imply some general intimacy. The lady may be in full dress or not, as she pleases. She is so completely at home that a stranger who has been received in her box may call on her next day at her residence. The foreign visitor cannot at first understand this life of idle wit, this /dolce far niente/ on a background of music. Only long custom and keen observation can ever reveal to a