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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

coming! Indeed, you are very pale. Are you ill?"

"No. Only I am very tired. Traveling so far by rail is harder than I imagined. I did have rather a long wait after arriving at the station, but I can't say that it was lonely."

Florence Kingsley searched Madeline's face with keen eyes, and then took a long, significant look at the silent Stewart. With that she deliberately and quietly closed a door leading into another room.

"Miss Hammond, what has happened?" She had lowered her voice.

"I do not wish to recall all that has happened," replied Madeline. "I shall tell Alfred, however, that I would rather

The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Children of the Night by Edwin Arlington Robinson:

When I came back again; but there they stood, As in the days they dreamed of when young blood Was in their cheeks and women called them fair. Be sure, they met me with an ancient air, -- And yes, there was a shop-worn brotherhood About them; but the men were just as good, And just as human as they ever were.

And you that ache so much to be sublime, And you that feed yourselves with your descent, What comes of all your visions and your fears? Poets and kings are but the clerks of Time,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

raining into the solar orb in untold millions, and to the unceasing concussion is due the radiation which maintains life in the planets, and thus the circle is complete.

In spite of their exalted position, the ether-folk do not disdain to mingle with the affairs of terrestrial mortals. They give us counsel in dreams, and it is from this source, we presume, that our author has derived his rigid notions as to scientific method. In evidence of this dream-theory we have the usual array of cases, "a celebrated journalist, M. R----," "M. L----, a lawyer," etc., etc., as in most books of this kind.

M. Figuier is not a Darwinian: the derivation of our bodies from

The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Shakespeare's Sonnets by William Shakespeare:

If it were fill'd with your most high deserts? Though yet heaven knows it is but as a tomb Which hides your life, and shows not half your parts. If I could write the beauty of your eyes, And in fresh numbers number all your graces, The age to come would say 'This poet lies; Such heavenly touches ne'er touch'd earthly faces.' So should my papers, yellow'd with their age, Be scorn'd, like old men of less truth than tongue, And your true rights be term'd a poet's rage And stretched metre of an antique song: