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Today's Stichomancy for Hillary Clinton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moral Emblems by Robert Louis Stevenson:

And this invaluable plan Marks what is called the Honest Man. When first I served with Doctor Pill, My hand was ever in the till. Now that I am myself a master, My gains come softer still and faster. As thus: on Wednesday, a maid Came to me in the way of trade. Her mother, an old farmer's wife, Required a drug to save her life. 'At once, my dear, at once,' I said,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

able to offer any better explanation.

With at least fifty of their number flying through the black jungle, and without the slightest knowledge of when their uncanny foemen might resume the cold-blooded slaughter they had commenced, it was a desperate band of cut-throats that waited sleeplessly for the dawn. Only on the promise of the Arabs that they would leave the village at daybreak, and hasten onward toward their own land, would the remaining Manyuema consent to stay at the village a moment longer. Not even fear of their cruel masters was sufficient to overcome this new terror.


The Return of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne:

letters in the usual way, one after the other, place them in succession in vertical columns, so as to group them together in five or six vertical lines."

I caught his meaning, and immediately produced the following literary wonder:

I y l o a u l o l w r b o u , n G e v w m d r n e e y e a !

"Good," said the professor, without reading them, "now set down those


Journey to the Center of the Earth
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

the full as youth can feel, I fell asleep, tired out with my forced march.

It was late in the night when I was awakened by the grating sound of curtain rings drawn sharply over the metal rods. There sat the Countess at the foot of my bed. The light from a lamp set on my table fell full upon her face.

"Is it really true, monsieur, quite true?" she asked. "I do not know how I can live after that awful blow which struck me down a little while since; but just now I feel calm. I want to know everything."

"What calm!" I said to myself as I saw the ghastly pallor of her