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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Time Machine by H. G. Wells:

bushes and flowers, a long neglected and yet weedless garden. I saw a number of tall spikes of strange white flowers, measuring a foot perhaps across the spread of the waxen petals. They grew scattered, as if wild, among the variegated shrubs, but, as I say, I did not examine them closely at this time. The Time Machine was left deserted on the turf among the rhododendrons.

`The arch of the doorway was richly carved, but naturally I did not observe the carving very narrowly, though I fancied I saw suggestions of old Phoenician decorations as I passed through, and it struck me that they were very badly broken and weather- worn. Several more brightly clad people met me in the doorway,


The Time Machine
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Misalliance by George Bernard Shaw:

TARLETON. Youre right, Chickabiddy. What do I tell Johnny when he brags about Tarleton's Underwear? It's not the underwear. The underwear be hanged! Anybody can make underwear. Anybody can sell underwear. Tarleton's Ideas: thats whats done it. Ive often thought of putting that up over the shop.

BENTLEY. Take me into partnership when you do, old man. I'm wasted on the underwear; but I shall come in strong on the ideas.

TARLETON. You be a good boy; and perhaps I will.

MRS TARLETON. _[scenting a plot against her beloved Johnny]_ Now, John: you promised--

TARLETON. Yes, yes. All right, Chickabiddy: dont fuss. Your

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herodias by Gustave Flaubert:

mouth of an immense pit, with a flight of winding steps leading down into the darkness. Those that bent over to peer into the cavern beheld a vague and terrifying shape in its depths.

This proved to be a human being, lying on the ground. His long locks hung over a camel's-hair robe that covered his shoulders. Slowly he rose to his feet. His head touched a grating embedded in the wall; and as he moved about he disappeared, from time to time, in the shadows of his dungeon.

The rich tiaras of the Romans sparkled brilliantly in the sunlight, and their glittering sword-hilts threw out glancing golden rays. The doves, flying from their cotes, circled above the heads of the


Herodias
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Wild by Jack London:

cried out involuntarily from the bite of his inward hurt. Several times he fell down and was dragged in the traces, and once the sled ran upon him so that he limped thereafter in one of his hind legs.

But he held out till camp was reached, when his driver made a place for him by the fire. Morning found him too weak to travel. At harness-up time he tried to crawl to his driver. By convulsive efforts he got on his feet, staggered, and fell. Then he wormed his way forward slowly toward where the harnesses were being put on his mates. He would advance his fore legs and drag up his body with a sort of hitching movement, when he would advance his fore