| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac: exist, my curiosity was roused to the highest pitch, for my soul
passed into the body of the clarionet player.
The fiddle and the flageolet were neither of them interesting; their
faces were of the ordinary type among the blind--earnest, attentive,
and grave. Not so the clarionet player; any artist or philosopher must
have come to a stop at the sight of him.
Picture to yourself a plaster mask of Dante in the red lamplight, with
a forest of silver-white hair above the brows. Blindness intensified
the expression of bitterness and sorrow in that grand face of his; the
dead eyes were lighted up, as it were, by a thought within that broke
forth like a burning flame, lit by one sole insatiable desire, written
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx: twice. He forgot to add: "Once as tragedy, and again as farce.
"Caussidiere for Danton, Louis Blanc for Robespierre, the "Mountain" of
1848-51 for the "Mountain" of 1793-05, the Nephew for the Uncle. The
identical caricature marks also the conditions under which the second
edition of the eighteenth Brumaire is issued.
Man makes his own history, but he does not make it out of the whole
cloth; he does not make it out of conditions chosen by himself, but out
of such as he finds close at hand. The tradition of all past
generations weighs like an alp upon the brain of the living. At the
very time when men appear engaged in revolutionizing things and
themselves, in bringing about what never was before, at such very epochs
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