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Today's Stichomancy for Ho Chi Minh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert:

crossed on his naked loins, swelled like pieces of a serpent.

Several streets began in front of him, leading from the spot at which he found himself. In each of them a triple row of bronze chains fastened to the navels of the Pataec gods extended in parallel lines from one end to the other; the crowd was massed against the houses, and servants, belonging to the Ancients, walked in the middle brandishing thongs.

One of them drove him forward with a great blow; Matho began to move.

They thrust their arms over the chains shouting out that the road had been left too wide for him; and he passed along, felt, pricked, and slashed by all those fingers; when he reached the end of one street


Salammbo
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from McTeague by Frank Norris:

we'll have tea together."

"Did you hear that sawing going on all the time? I declare it regularly got on my nerves."

Trina kissed her father and mother, crying a little herself as she saw the tears in Mrs. Sieppe's eyes.

Marcus came forward a second time, and, with an air of great gravity, kissed his cousin upon the forehead. Heise was introduced to Trina and Uncle Oelbermann to the dentist.

For upwards of half an hour the guests stood about in groups, filling the little sitting-room with a great chatter of talk. Then it was time to make ready for supper.


McTeague
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Commission in Lunacy by Honore de Balzac:

nobleman to attend to his own business instead of attending to affairs of state, and where personal greatness can only be such greatness as is acquired by long and patient toil: quite a new era.

Regarded as a relic of that great institution know as feudalism, M. d'Espard deserved respectful admiration. If he believed himself to be by blood the superior of other men, he also believed in all the obligations of nobility; he had the virtues and the strength it demands. He had brought up his children in his own principles, and taught them from the cradle the religion of their caste. A deep sense of their own dignity, pride of name, the conviction that they were by birth great, gave rise in them to a kingly pride, the courage of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Jude the Obscure by Thomas Hardy:

not from the pain, though that was keen enough; not from the perception of the flaw in the terrestrial scheme, by which what was good for God's birds was bad for God's gardener; but with the awful sense that he had wholly disgraced himself before he had been a year in the parish, and hence might be a burden to his great-aunt for life.

With this shadow on his mind he did not care to show himself in the village, and went homeward by a roundabout track behind a high hedge and across a pasture. Here he beheld scores of coupled earthworms lying half their length on the surface of the damp ground, as they always did in such weather at that time of the year. It was impossible to advance in regular steps without crushing some of them at each tread.


Jude the Obscure