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Today's Stichomancy for Howard Stern

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from God The Invisible King by H. G. Wells:

entertain the possibility of dimensions--fourth, fifth, Nth dimensions--outside the three-dimensional universe of our experience. And God being non-spatial is not thereby banished to an infinite remoteness, but brought nearer to us; he is everywhere immediately at hand, even as a fourth dimension would be everywhere immediately at hand. He is a Being of the minds and in the minds of men. He is in immediate contact with all who apprehend him. . . .

But modern religion declares that though he does not exist in matter or space, he exists in time just as a current of thought may do; that he changes and becomes more even as a man's purpose gathers itself together; that somewhere in the dawning of mankind he had a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

Hathaway's, if there were any evidence that their friendship ceased when he stopped writing sonnets to her. As a matter of fact the consolidation of a passion into an enduring intimacy generally puts an end to sonnets.

That the Dark Lady broke Shakespear's heart, as Mr Harris will have it she did, is an extremely unShakespearian hypothesis. "Men have died from time to time, and worms have eaten them; but not for love," says Rosalind. Richard of Gloster, into whom Shakespear put all his own impish superiority to vulgar sentiment, exclaims

And this word "love," which greybeards call divine, Be resident in men like one another

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

over and they learn about you!"

Mr. Travers had been eying Sara Lee.

"Didn't use you up, did it?" he asked. "You're not looking quite fit."

Sara Lee was very pale just then. In a moment she would know.

"I'm quite well," she said. "I - do you hear from Mrs. Cameron?"

"Frequently. She has worked hard, but she is not young." It was Mrs. Travers who spoke. "She's afraid of the winter there. I rather think, since you want to go back, that she will be glad to turn your domain over to you for a time."

"Then - the little house is still there?"

"Indeed, yes! A very famous little house, indeed. But it is always

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Bondage and My Freedom by Frederick Douglass:

ashore. It was the first large town I had ever seen; and though it was inferior to many a factory village in New England, my feelings, on seeing it, were excited to a pitch very little below that reached by travelers at the first view of Rome. The dome of the state house was especially imposing, and surpassed in grandeur the appearance of the great house. The great world was opening upon me very rapidly, and I was eagerly acquainting myself with its multifarious lessons.

We arrived in Baltimore on Sunday morning, and landed at Smith's wharf, not far from Bowly's wharf. We had on board the sloop a large flock of sheep, for the Baltimore market; and, after

My Bondage and My Freedom