Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Othello by William Shakespeare:

Bond-slaues, and Pagans shall our Statesmen be.

Exeunt.

Scaena Tertia.

Enter Duke, Senators, and Officers.

Duke. There's no composition in this Newes, That giues them Credite

1.Sen. Indeed, they are disproportioned; My Letters say, a Hundred and seuen Gallies

Duke. And mine a Hundred fortie

2.Sena. And mine two Hundred: But though they iumpe not on a iust accompt,

Othello

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

tongue at all."

CHAPTER XXIV

Miss Stacy and Her Pupils Get Up a Concert

It was October again when Anne was ready to go back to school--a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain--amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through. The Birch Path was a canopy of yellow and the

Anne of Green Gables

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Lover's Complaint by William Shakespeare:

Experience for me many bulwarks builded Of proofs new-bleeding, which remain'd the foil Of this false jewel, and his amorous spoil.

'But ah! who ever shunn'd by precedent The destin'd ill she must herself assay? Or force'd examples, 'gainst her own content, To put the by-pass'd perils in her way? Counsel may stop awhile what will not stay; For when we rage, advice is often seen By blunting us to make our wills more keen.

'Nor gives it satisfaction to our blood,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

airman is more likely to prove successful. He keeps a vigilant eye upon all ground-lights and by close observation is able to determine their significance. It is for this reason that no lights of any description are permitted in the advance trenches. The striking of a match may easily betray a position to the alert eye above.

So far as the British Army is concerned a complete code is in operation for communicating between aeroplanes and the ground at night. Very's lights are used for this purpose, it being possible to distinguish the respective colours at a distance of six miles and from an altitude of 2,000 feet. The lights are