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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedo by Plato:

consideration is sure to arise, which is--whether the likeness in any degree falls short or not of that which is recollected?

Very true, he said.

And shall we proceed a step further, and affirm that there is such a thing as equality, not of one piece of wood or stone with another, but that, over and above this, there is absolute equality? Shall we say so?

Say so, yes, replied Simmias, and swear to it, with all the confidence in life.

And do we know the nature of this absolute essence?

To be sure, he said.

And whence did we obtain our knowledge? Did we not see equalities of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

believed that the Bladesover system was a little working-model--and not so very little either--of the whole world.

Let me try and give you the effect of it.

Bladesover lies up on the Kentish Downs, eight miles perhaps from Ashborough; and its old pavilion, a little wooden parody of the temple of Vesta at Tibur, upon the hill crest behind the house, commands in theory at least a view of either sea, of the Channel southward and the Thames to the northeast. The park is the second largest in Kent, finely wooded with well-placed beeches, many elms and some sweet chestnuts, abounding in little valleys and hollows of bracken, with springs and a stream and three fine

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

of abstraction could have equalled my deep de- tachment from the forms and colours of this world. It was, as it were, final.

And yet, suddenly, I recognized Hamilton. I recognized him without effort, without a shock, without a start. There he was, strolling toward the Harbour Office with his stiff, arrogant dignity. His red face made him noticeable at a distance. It flamed, over there, on the shady side of the street.

He had perceived me, too. Something (uncon- scious exuberance of spirits perhaps) moved me to

The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

Now, dream though it was, he did not neglect the practical side of it.

"You realize," he told M. Binet, "that I have it in my power to make your fortune for you.

He and Binet were sitting alone together in the parlour of the inn at Pipriac, drinking a very excellent bottle of Volnay. It was on the night after the fourth and last performance there of "Les Feurberies." The business in Pipriac had been as excellent as in Maure and Guichen. You will have gathered this from the fact that they drank Volnay.

"I will concede it, my dear Scaramouche, so that I may hear the