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Today's Stichomancy for Hugh Hefner

The first excerpt represents the past or something you must release, and is drawn from The Human Drift by Jack London:

sailing breeze. The next time they came out, we would notice their sticks cut down, their booms shortened, and their after- leeches nearer the luffs by whole cloths.

As for excitement, there is all the difference in the world between a ship in trouble at sea, and a small boat in trouble on land-locked water. Yet for genuine excitement and thrill, give me the small boat. Things happen so quickly, and there are always so few to do the work--and hard work, too, as the small-boat sailor knows. I have toiled all night, both watches on deck, in a typhoon off the coast of Japan, and been less exhausted than by two hours' work at reefing down a thirty-foot sloop and heaving up

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Call of the Canyon by Zane Grey:

agony! Carley saw it differently. But for the beautiful softness of light in his eyes, she would have been unable to endure gazing longer.

"Carley, I'm bitter," he said, "but I'm not rancorous and callous, like some of the boys. I know if you'd been my girl you'd have stuck to me."

"Yes," Carley whispered.

"That makes a difference," he went on, with a sad smile. "You see, we soldiers all had feelings. And in one thing we all felt alike. That was we were going to fight for our homes and our women. I should say women first. No matter what we read or heard about standing by our allies, fighting for liberty or civilization, the truth was we all felt the same, even if we never breathed it. . . . Glenn fought for you. I fought for Nell. . . . We


The Call of the Canyon
The third excerpt represents the future or something you must embrace, and is drawn from Moby Dick by Herman Melville:

grimness and shagginess; and in this episode touching Emperors and Kings, I must not conceal that I have only to do with a poor old whale-hunter like him; and, therefore, all outward majestical trappings and housings are denied me. Oh, Ahab! what shall be grand in thee, it must needs be plucked at from the skies, and dived for in the deep, and featured in the unbodied air!

CHAPTER 34

The Cabin-Table.

It is noon; and Dough-Boy, the steward, thrusting his pale loaf-of-bread face from the cabin-scuttle, announces dinner to his lord and master; who, sitting in the lee quarter-boat, has just been


Moby Dick