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Today's Stichomancy for Hugh Hefner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Heap O' Livin' by Edgar A. Guest:

Knowing I needn't Go anywhere.

Needn't hurry My evening meal Nor force the smiles That I do not feel, But can grab a book From a near-by shelf, And drop all sham And be myself.

Oh, the charm of it


A Heap O' Livin'
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Sharer by Joseph Conrad:

of that sort is a light affair and comes in easily, yet my vigorous tug, which should have brought it flying on board, merely recoiled upon my body in a totally unexpected jerk. What the devil! . . . I was so astounded by the immovableness of that ladder that I remained stockstill, trying to account for it to myself like that imbecile mate of mine. In the end, of course, I put my head over the rail.

The side of the ship made an opaque belt of shadow on the darkling glassy shimmer of the sea. But I saw at once something elongated and pale floating very close to the ladder. Before I could form a guess a faint flash of phosphorescent light,


The Secret Sharer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pellucidar by Edgar Rice Burroughs:

have the heart to reproach him, even were I inclined to that particular sort of meanness.

"Come, come, old man!" I cried. "It's not as bad as it looks. Give me a hand with this rope, and we'll drag her up as far as we can; and then when the tide goes out we'll try another scheme. I think we can make a go of her yet."

Well, we managed to get her up into shallow water. When the tide receded she lay there on her side in the mud, quite a pitiable object for the premier battle-ship of a world--"the terror of the seas" was the way Perry


Pellucidar
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

men of honor, and eager to make their fortunes,--took service with the silversmith. Robberies coincided with the admission of the two young men into the house. The circumstances of these crimes, the manner in which they were perpetrated, showed plainly that the robbers had secret communication with its inmates. Become by this time more than ever suspicious and vindictive, the old Fleming laid the matter before Louis XI., who placed it in the hands of his grand provost. A trial was promptly had and promptly ended. The inhabitants of Tours blamed Tristan l'Hermite secretly for unseemly haste. Guilty or not guilty, the young Touraineans were looked upon as victims, and Cornelius as an executioner. The two families thus thrown into mourning were much