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Today's Stichomancy for Hugh Hefner

The first excerpt represents the past or something you must release, and is drawn from The Mountains by Stewart Edward White:

and billowed lazily in the sun, each mote flashing as though with life; then abruptly as it crossed the sharp line of shade it disappeared.

From these spruce woods, level as a floor, we came out on the rounded shoulder of a mountain to find ourselves nearly nine thousand feet above the sea. Below us was a deep canon to the middle of the earth. And spread in a semicircle about the curve of our mountain a most magnificent panoramic view. First there were the plains, represented by a brown haze of heat; then, very remote, the foot-hills, the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Main Street by Sinclair Lewis:

widows themselves demand it! They admire his unctuousness. And look at me. Suppose I did dare to make love to--some exquisite married woman. I wouldn't admit it to myself. I giggle with the most revolting salaciousness over La Vie Parisienne, when I get hold of one in Chicago, yet I shouldn't even try to hold your hand. I'm broken. It's the historical Anglo- Saxon way of making life miserable. . . . Oh, my dear, I haven't talked to anybody about myself and all our selves for years."

"Guy! Can't we do something with the town? Really?"

"No, we can't!" He disposed of it like a judge ruling out an improper objection; returned to matters less uncomfortably

The third excerpt represents the future or something you must embrace, and is drawn from Collected Articles by Frederick Douglass:

It was the pursuit of knowledge under difficulties, and I look back to it now, after so many years, with some complacency and a little wonder that I could have been so earnest and persevering in any pursuit other than for my daily bread. I certainly saw nothing in the conduct of those around to inspire me with such interest: they were all devoted exclusively to what their hands found to do. I am glad to be able to say that, during my engagement in this foundry, no complaint was ever made against me that I did not do my work, and do it well. The bellows which I worked by main strength was, after I left, moved by a steam-engine.

Douglass, Frederick. "Reconstruction." Atlantic Monthly 18 (1866): 761-765.