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Today's Stichomancy for Hugh Hefner

The first excerpt represents the past or something you must release, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

"Finds out what?"

"What you've been up to, the stage, and writing plays, and now liquor and tobacco!"

Now I may be at fault in the Narative that follows. But I ask the school if this was fair treatment. I had returned to my home full of high Ideals, only to see them crushed beneath the heal of domestic tyranny.

Necessity is the argument of tyrants; it is the creed of slaves. William Pitt.

How true are these immortal words.

It was with a firm countenance but a sinking heart that I saw

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Confessio Amantis by John Gower:

In mannes herte where he sit, He compteth noght toward his wit The wo nomore than the wele, No mor the hete than the chele, 1270 No mor the wete than the dreie, No mor to live than to deie, So that tofore ne behinde He seth nothing, bot as the blinde Withoute insyhte of his corage He doth merveilles in his rage. To what thing that he wole him drawe,

Confessio Amantis
The third excerpt represents the future or something you must embrace, and is drawn from Another Study of Woman by Honore de Balzac:

the tight knitting of her brows a sort of presentiment; perhaps she foresaw her fate. Rosina remained quietly in her place.

"A minute later, and apparently when the Colonel was snug in his couch of straw or hay, he repeated, 'Rosina?'

"The tone of this second call was even more brutally questioning than the first. The Colonel's strong burr, and the length which the Italian language allows to be given to vowels and the final syllable, concentrated all the man's despotism, impatience, and strength of will. Rosina turned pale, but she rose, passed behind us, and went to the Colonel.

"All the party sat in utter silence; I, unluckily, after looking at