| The first excerpt represents the past or something you must release, and is drawn from Rezanov by Gertrude Atherton: compliment. Let me tell you two things, Luis mio:
this morning I invited the Russians to dance to-
night, and told Padre Abella to ask all our neigh-
bors of the Mission besides; and Rafaella Sal
helped me to drape every one of those flags.
When I told her you might tear them down, she
vowed that if you did she would dance all night
with the Bostonian."
Luis lifted his shoulders and mustache to express
an attitude of contemptuous resignation, but his face
darkened, and a moment later he left the room and
Rezanov |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon: "Phil." III. iii. 10; Plaut. "Stich." III. i. 37.
[22] See Diod. xi. 43.
[23] Reading, {apo khrematon, anagke}, or (reading, {apo khrematon
anagke}) "considerations of money force us to be slaves."
[24] See Boeckh, "P. E. A." I. xiii. (Eng. trans. p. 72). "The rights
of property with regard to slaves in no way differed from any
other chattel; they could be given or taken as pledges. They
laboured either on their master's account or their own, in
consideration of a certain sum to be paid to the master, or they
were let out on hire either for the mines or any other kind of
labour, and even for other persons' workshops, or as hired
|
The third excerpt represents the future or something you must embrace, and is drawn from Scaramouche by Rafael Sabatini: of fifteen louis taken to-night. Where the devil is that rascal
Cordemais?"
Cordemais was the name of the original Scaramouche, who had so
unfortunately twisted his ankle. That Binet should refer to him by
his secular designation was a sign that in the Binet company at
least he had fallen for ever from the lofty eminence of Scaramouche.
"Let us go and find him, and then we'll away to the inn and crack a
bottle of the best Burgundy, perhaps two bottles."
But Cordemais was not readily to be found. None of the company had
seen him since the close of the performance. M. Binet went round
to the entrance. Cordemais was not there. At first he was annoyed;
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