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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis:

were keen enough to see that it might be used as a lever with which to force more money from me. For when I demanded that they take the box away with them and dispose of it, they only laughed at me. They said that they had had enough of that box. They had delivered the goods--that was the phrase they used--and they wanted more money. And they said they would not leave until they got it. They threatened, unless I gave them the money at once, to leave the place and get word to the police of the presence of the box in my apartment.

"I was in no mental condition to combat and get the better of them. I felt myself to be entirely in their power. I saw only

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

conjured in their poor brains only the most frightful of superstitious explanations.

They stood in little groups, talking in low tones, and ever casting affrighted glances behind them from their great rolling eyes.

Tarzan of the Apes watched them for a while from his lofty perch in the great tree. There was much in their demeanor which he could not understand, for of superstition he was ignorant, and of fear of any kind he had but a vague conception.

The sun was high in the heavens. Tarzan had not broken

Tarzan of the Apes
The third excerpt represents the future or something you must embrace, and is drawn from The Recruit by Honore de Balzac:

evening to watch her countenance: some out of true friendship, but most of them to detect the secret of her seclusion.

They found the countess seated as usual, at the corner of the great fireplace in her salon, a room almost as unpretentious as the other salons in Carentan; for, in order not to wound the narrow view of her guests, she denied herself the luxuries to which she was accustomed. The floor of her reception room was not even waxed, the walls were still hung with dingy tapestries; she used the country furniture, burned tallow candles, and followed the customs of the town,--adopting provincial life, and not shrinking from its pettiness or its many disagreeable privations. Knowing, however, that her guests would