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Today's Stichomancy for Hugh Jackman

The first excerpt represents the past or something you must release, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

between Halsey and Gertrude, and the murder of Arnold Armstrong? And yet, every way I turned I seemed to find something that pointed to such a connection.

At the foot of the drive the road described a long, sloping, horseshoe-shaped curve around the lodge. There were lights there, streaming cheerfully out on to the trees, and from an upper room came wavering shadows, as if some one with a lamp was moving around. I had come almost silently in my evening slippers, and I had my second collision of the evening on the road just above the house. I ran full into a man in a long coat, who was standing in the shadow beside the drive, with his back to


The Circular Staircase
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

formerly alight@mercury.interpath.net). To assure a high quality text, the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet

The third excerpt represents the future or something you must embrace, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

an automatic means of eliminating those whose writing was not the result of any very profound impulse and would be by no means wholly an evil.

Probably some similar method would be desirable as regards the publishing and performing of new music.

What we have been suggesting will, no doubt, be objected to by orthodox Socialists, since they will find something repugnant to their principles in the whole idea of a private person paying to have certain work done. But it is a mistake to be the slave of a