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Today's Stichomancy for Hugo Chavez

The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

And feel its little hands upon her hair? We weep before the Blessed Mother's shrine, To think upon her sorrows, but her joys What nun could ever know a tithing of? The precious hours she watched above His sleep Were worth the fearful anguish of the end. Yea, lack of love is bitterest of all; Yet I have felt what thing it is to know One thought forever, sleeping or awake; To say one name whose sweetness grows so strange That it might work a spell on those who weep;

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

him like an eagle on its prey, as it did on Gentz, the confidential friend of His Highness the Prince of Metternich. All the world knows what follies the old diplomate committed for Fanny Elssler, whose rehearsals took up a great deal more of his time than the concerns of Europe.

The woman who had just overthrown that iron-bound money-box, called Nucingen, had appeared to him as one of those who are unique in their generation. It is not certain that Titian's mistress, or Leonardo da Vinci's Monna Lisa, or Raphael's Fornarina were as beautiful as this exquisite Esther, in whom not the most practised eye of the most experienced Parisian could have detected the faintest trace of the

The third excerpt represents the future or something you must embrace, and is drawn from Betty Zane by Zane Grey:

aim was impossible. Then, with loud yells, the Indians, drawing their tomahawks, started in pursuit, expecting soon to overtake their victim.

In the early years of his Indian hunting, Wetzel had perfected himself in a practice which had saved his life many tunes, and had added much to his fame. He could reload his rifle while running at topmost speed. His extraordinary fleetness enabled him to keep ahead of his pursuers until his rifle was reloaded. This trick he now employed. Keeping up his uneven pace until his gun was ready, he turned quickly and shot the nearest Indian dead in his tracks. The next Indian had by this time nearly come up with him and close enough to throw his tomahawk, which whizzed dangerously near Wetzel's head. But he leaped forward again and soon his rifle was reloaded. Every time he looked


Betty Zane