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Today's Stichomancy for Hugo Chavez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

Bickerstaffius ver doctissimus, etc.

If Mr. Partridge had followed this example in the controversy between us, he might have spared me the trouble of justifying myself in so publick a manner. I believe few men are readier to own their errors than I, or more thankful to those who will please to inform me of them. But it seems this gentleman, instead of encouraging the progress of his own art, is pleased to look upon all attempts of that kind as an invasion of his province. He has been indeed so wise to make no objection against the truth of my predictions, except in one single point, relating to himself: And to demonstrate how much men are blinded by their own

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

Three Hills, with a fierceness which made it almost a new pestilence, there was that mighty conqueror--that scourge and horror of our forefathers--the Small-Pox!

We cannot estimate the affright which this plague inspired of yore, by contemplating it as the fangless monster of the present day. We must remember, rather, with what awe we watched the gigantic footsteps of the Asiatic cholera, striding from shore to shore of the Atlantic, and marching like destiny upon cities far remote which flight had already half depopulated. There is no other fear so horrible and unhumanizing as that which makes man dread to breathe heaven's vital air lest it be poison, or to


Twice Told Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

such 'meetings.'

And now we come to that last and most subtle quality of all, to that sense of prospect, of outlook, that is brought so powerfully to our minds by a road. In real nature, as well as in old landscapes, beneath that impartial daylight in which a whole variegated plain is plunged and saturated, the line of the road leads the eye forth with the vague sense of desire up to the green limit of the horizon. Travel is brought home to us, and we visit in spirit every grove and hamlet that tempts us in the distance. SEHNSUCHT - the passion for what is ever beyond - is livingly expressed in that white riband of possible travel that severs the uneven country; not a ploughman

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lost Continent by Edgar Rice Burroughs:

edifices of the past. There would be no such complete ruin of large structures as I had seen among the smaller buildings.

But when I had come to that part of the city which I judged to have contained the relics I sought I found havoc that had been wrought there even greater than elsewhere.

At one point upon the bosom of the Thames there rises a few feet above the water a single, disintegrating mound of masonry. Opposite it, upon either bank of the river, are tumbled piles of ruins overgrown with vegetation.

These, I am forced to believe, are all that remain of London


Lost Continent