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Today's Stichomancy for Hugo Chavez

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Finished by H. Rider Haggard:

beautiful river which was still haunted by a few hippopotamus and many crocodiles, one of which we shot before turning in. Next morning, having breakfasted off cold guineafowl, we mounted, crossed the river by a ford that was quite as deep as I liked, to which the Kaffir path led us, and, leaving Footsack with the two other boys in charge of the wagon, began to hunt for the buffalo in the rather swampy bush that stretched from the further bank to the slope of the first hills, eight or ten miles away. I did not much expect to find them, as the Basuto had said that they had gone over these hills, but either he lied or they had moved back again.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Contrast by Royall Tyler:

shall, at least, deserve to be so. Adieu! I dare not trust myself longer with you. [Exeunt severally.



DIMPLE'S Lodgings.



WELL, Mr. Jonathan, what success with the fair?


Why, such a tarnal cross tike you never saw! You would have counted she had lived upon crab-apples

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Persuasion by Jane Austen:

called on Mrs Smith.

"Westgate Buildings must have been rather surprised by the appearance of a carriage drawn up near its pavement," observed Sir Walter. "Sir Henry Russell's widow, indeed, has no honours to distinguish her arms, but still it is a handsome equipage, and no doubt is well known to convey a Miss Elliot. A widow Mrs Smith lodging in Westgate Buildings! A poor widow barely able to live, between thirty and forty; a mere Mrs Smith, an every-day Mrs Smith, of all people and all names in the world, to be the chosen friend of Miss Anne Elliot, and to be preferred by her to her own family connections among the nobility of England and Ireland! Mrs Smith! Such a name!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

to carry his "enlightenment" a step further, and also put out of his head the contrary of this monstrous conception of "free will": I mean "non-free will," which is tantamount to a misuse of cause and effect. One should not wrongly MATERIALISE "cause" and "effect," as the natural philosophers do (and whoever like them naturalize in thinking at present), according to the prevailing mechanical doltishness which makes the cause press and push until it "effects" its end; one should use "cause" and "effect" only as pure CONCEPTIONS, that is to say, as conventional fictions for the purpose of designation and mutual understanding,--NOT for explanation. In "being-in-itself" there is nothing of "casual-

Beyond Good and Evil