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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

looks that he must have improved in appearance, he found courage to raise his hand to his nose, and found it well formed. Then he touched his eyes, and realized they were looking straight out from his face, like those of other people.

For some moments after making these discoveries the king remained motionless, a smile of joy gradually spreading over his features. Then he said, aloud:

"What has happened? Why do you all look so startled?"

"Your Majesty is no longer ugly," replied Marvel, laughingly; "so that when Nerle and I leave your kingdom we can proclaim nothing less than praise of your dignified and handsome appearance."


The Enchanted Island of Yew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To-morrow by Joseph Conrad:

It was as if the sea, breaking down the wall pro- tecting all the homes of the town, had sent a wave over her head. It passed on; she staggered back- wards, with her shoulders against the wall, ex- hausted, as if she had been stranded there after a storm and a shipwreck.

She opened her eyes after awhile; and listening to the firm, leisurely footsteps going away with their conquest, began to gather her skirts, staring all the time before her. Suddenly she darted through the open gate into the dark and deserted


To-morrow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

Love far sincerer, More heartfelt glow!

Over the old one,

Wrinkles collected,

Sad and dejected, Others may view; But, on us gently

Shineth a true one,

And to the new one We, too, are new.

As a fond couple

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

my conception of revenge. Do you realize how I have been fulfilling it, how I shall continue to fulfil it as occasion offers? In the speech with which I fired the people of Rennes on the very morrow of that deed, did you not hear the voice of Philippe de Vilmorin uttering the ideas that were his with a fire and a passion greater than he could have commanded because Nemesis lent me her inflaming aid? In the voice of Omnes Omnibus at Nantes my voice again - demanding the petition that sounded the knell of your hopes of coercing the Third Estate, did you not hear again the voice of Philippe de Vilmorin? Did you not reflect that it was the mind of the man you had murdered, resurrected in me his surviving friend,