Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Psychology of Revolution by Gustave le Bon:

of rational logic.

Greatly concerned about his salvation, having an excessive fear of the devil, which his confessor was unable to allay, Luther sought the surest means of pleasing God that he might avoid Hell.

Having commenced by denying the Pope the right to sell indulgences, he presently entirely denied his authority, and that of the Church, condemned religious ceremonies, confession, and the worship of the saints, and declared that Christians should have no rules of conduct other than the Bible. He also considered that no one could be saved without the grace of God.

This last theory, known as that of predestination, was in Luther

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1984 by George Orwell:

been discovered. A hair laid across the page-ends was too obvious. With the tip of his finger he picked up an identifiable grain of whitish dust and deposited it on the corner of the cover, where it was bound to be shaken off if the book was moved.

Chapter 3

Winston was dreaming of his mother.

He must, he thought, have been ten or eleven years old when his mother had disappeared. She was a tall, statuesque, rather silent woman with slow movements and magnificent fair hair. His father he remembered more vaguely as dark and thin, dressed always in neat dark clothes (Winston remembered especially the very thin soles of his father's shoes) and wearing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

a civilised slave among good-natured barbarians - are all painful ingredients and all help to falsify relations. It is not till we get clear of that amusing artificial scene that genuine relations are founded, or ideas honestly compared. In the garden, on the road or the hillside, or TETE-A-TETE and apart from interruptions, occasions arise when we may learn much from any single woman; and nowhere more often than in married life. Marriage is one long conversation, chequered by disputes. The disputes are valueless; they but ingrain the difference; the heroic heart of woman prompting her at once to nail her colours to the mast. But in the intervals, almost unconsciously and with no desire to shine, the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac:

and delight at their little trick. He felt himself mean, sordid, a fool; he longed to punish himself, to rend his heart. A few tears rose to his eyes; by an irresistible impulse he sprang up, clasped Adelaide in his arms, pressed her to his heart, and stole a kiss; then with the simple heartiness of an artist, "I ask for her for my wife!" he exclaimed, looking at the Baroness.

Adelaide looked at him with half-wrathful eyes, and Madame de Rouville, somewhat astonished, was considering her reply, when the scene was interrupted by a ring at the bell. The old vice- admiral came in, followed by his shadow, and Madame Schinner. Having guessed the cause of the grief her son vainly endeavored