| The first excerpt represents the past or something you must release, and is drawn from Middlemarch by George Eliot: have expected you to be very sensitive to the beautiful everywhere."
"I suppose I am dull about many things," said Dorothea, simply.
"I should like to make life beautiful--I mean everybody's life.
And then all this immense expense of art, that seems somehow to lie
outside life and make it no better for the world, pains one.
It spoils my enjoyment of anything when I am made to think that most
people are shut out from it."
"I call that the fanaticism of sympathy," said Will, impetuously.
"You might say the same of landscape, of poetry, of all refinement.
If you carried it out you ought to be miserable in your own goodness,
and turn evil that you might have no advantage over others.
Middlemarch |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philosophy 4 by Owen Wister: Maybe you might make room for the trout." Room for him as well, they
assured him; they were in luck to find him, they explained. "Well, I
guess I'll trust my neck with you," he said to Bertie, the skillful
driver; "'tain't five minutes' risk." The buggy leaned, and its springs
bent as he climbed in, wedging his mature bulk between their slim
shapes. The gelding looked round the shaft at them. "Protestin', are
you?" he said to it. "These light-weight stoodents spile you!" So the
gelding went on, expressing, however, by every line of its body, a sense
of outraged justice. The boys related their difficult search, and
learned that any mention of the name of Diggs would have brought them
straight. "Bill Higgs of the Bird-in-Hand was my father, and my
|
The third excerpt represents the future or something you must embrace, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: boiling, and the children were rather impatient for that stage to be reached.
At last, however, Rudolph announced excitedly, "It boils, it boils! and now I
mustn't leave it for a minute. More wood, Mabel! don't be so slow, and,
Tattine, hurry Philip up with that ice," but Philip was seen at that moment
bringing a large piece of ice in a wheelbarrow, so Tattine was saved that
journey, and devoted the time instead to spreading out one of the pieces of
wrapping-paper, to keep the ice from the ground, because of the dead leaves
and "things" that were likely to cling to it.
"Now break off a good-sized piece, Tattine," Rudolph directed, "and put it on
a piece of paper near the fire," but Tattine knew that was the next thing to
do, so what was the use of Rudolph's telling her? It happens quite frequently
|
