Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Reign of King Edward the Third by William Shakespeare:

Will lose their eye-sight, looking in the Sun. What can one drop of poison harm the Sea, Whose huge vastures can digest the ill And make it loose his operation? The king's great name will temper thy misdeeds, And give the bitter potion of reproach, A sugared, sweet and most delicious taste. Besides, it is no harm to do the thing Which without shame could not be left undone. Thus have I in his majesty's behalf Appareled sin in virtuous sentences,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

manners, harmonizing with their notions, would have become princes, and offended all the world of the Rue de la Montagne-Sainte-Genevieve --a world, above all others, of equality, where every one believed that M. d'Espard was ruined, and where all, from the lowest to the highest, refused the privileges of nobility to a nobleman without money, because they were all ready to allow an enriched bourgeois to usurp them. Thus the lack of communion between this family and other persons was as much moral as it was physical.

In the father and the children alike, their personality harmonized with the spirit within. M. d'Espard, at this time about fifty, might have sat as a model to represent the aristocracy of birth in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gift of the Magi by O. Henry:

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

witching hour of dawn, when I administered the brandy. He professed himself greatly touched by the separation, and declared he had often bought white bread for the donkey when he had been content with black bread for himself; but this, according to the best authorities, must have been a flight of fancy. He had a name in the village for brutally misusing the ass; yet it is certain that he shed a tear, and the tear made a clean mark down one cheek.

By the advice of a fallacious local saddler, a leather pad was made for me with rings to fasten on my bundle; and I thoughtfully completed my kit and arranged my toilette. By way of armoury and utensils, I took a revolver, a little spirit-lamp and pan, a