| The first excerpt represents the past or something you must release, and is drawn from Flower Fables by Louisa May Alcott: full of joy that they had come. The child saw that each one wore the
colors of the flower that was its home. Delicate and graceful were
the little forms, bright the silken hair that fell about each lovely
face; and Eva heard the low, sweet murmur of their silvery voices and
the rustle of their wings. She gazed in silent wonder, forgetting she
knew not who they were, till the Fairy said,--
"These are the spirits of the flowers, and this the Fairy Home where
those whose hearts were pure and loving on the earth come to bloom in
fadeless beauty here, when their earthly life is past. The humblest
flower that blooms has a home with us, for outward beauty is a
worthless thing if all be not fair and sweet within. Do you see
 Flower Fables |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon: touch him as little as possible with anything except that part of the
body necessary to secure a firm seat.
Again, it should be known that the conventional "chirrup"[7] to quiet
and "cluck" to rouse a horse are a sort of precept of the training
school; and supposing any one from the beginning chose to associate
soft soothing actions with the "cluck" sound, and harsh rousing
actions with the "chirrup," the horse could be taught to rouse himself
at the "chirrup" and to calm himself at the "cluck" sound. On this
principle, at the sound of the trumpet or the shout of battle the
rider should avoid coming up to his charger in a state of excitement,
or, indeed, bringing any disturbing influence to bear on the animal.
 On Horsemanship |
The third excerpt represents the future or something you must embrace, and is drawn from Bureaucracy by Honore de Balzac: the parabolical method of savages. Listen and comprehend: While the
ministers start discussions in the Chambers that are just about as
useful and as conclusive as the one we are engaged in, the
administration cuts the buttons off the tax-payers."
All. "Bravo, Bixiou!"
Poiret [who comprehends]. "I don't regret my buttons."
Bixiou. "I shall follow Minard's example; I won't pocket such a
paltry salary as mine any longer; I shall deprive the government of my
co-operation." [Departs amid general laughter.]
Another scene was taking place in the minister's reception-room, more
instructive than the one we have just related, because it shows how
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