| The first excerpt represents the past or something you must release, and is drawn from What is Man? by Mark Twain: many intolerable children put in their whole time in distressing
and idiotic effort to attract the attention of visitors; boys are
always "showing off"; apparently all men and women are glad and
grateful when they find that they have done a thing which has
lifted them for a moment out of obscurity and caused wondering
talk. This common madness can develop, by nurture, into a hunger
for notoriety in one, for fame in another. It is this madness
for being noticed and talked about which has invented kingship
and the thousand other dignities, and tricked them out with
pretty and showy fineries; it has made kings pick one another's
pockets, scramble for one another's crowns and estates, slaughter
What is Man? |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson: desirable fame. Much less will it become thee to let kindness or
interest prevail. Never rob other countries of rain to pour it on
thine own. For us the Nile is sufficient.'
"I promised that when I possessed the power I would use it with
inflexible integrity; and he dismissed me, pressing my hand. 'My
heart,' said he, 'will be now at rest, and my benevolence will no
more destroy my quiet; I have found a man of wisdom and virtue, to
whom I can cheerfully bequeath the inheritance of the sun.'"
The Prince heard this narration with very serious regard; but the
Princess smiled, and Pekuah convulsed herself with laughter.
"Ladies," said Imlac, "to mock the heaviest of human afflictions is
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The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: not a comedian; that the Elizabethan fashion of treating brunettes as
ugly woman must have made her rather sore on the subject of her
complexion; that no human being, male or female, can conceivably enjoy
being chaffed on that point in the fourth couplet about the perfumes;
that Shakespear's revulsions, as the sonnet immediately preceding
shews, were as violent as his ardors, and were expressed with the
realistic power and horror that makes Hamlet say that the heavens got
sick when they saw the queen's conduct; and then ask Mr Harris whether
any woman could have stood it for long, or have thought the "sugred"
compliment worth the cruel wounds, the cleaving of the heart in twain,
that seemed to Shakespear as natural and amusing a reaction as the
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