| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Inland Voyage by Robert Louis Stevenson: visiting the Louvre, they would do well to have heard Bazin by way
of antidote. He had delighted in the museums in his youth. 'One
sees there little miracles of work,' he said; 'that is what makes a
good workman; it kindles a spark.' We asked him how he managed in
La Fere. 'I am married,' he said, 'and I have my pretty children.
But frankly, it is no life at all. From morning to night I pledge
a pack of good enough fellows who know nothing.'
It faired as the night went on, and the moon came out of the
clouds. We sat in front of the door, talking softly with Bazin.
At the guard-house opposite, the guard was being for ever turned
out, as trains of field artillery kept clanking in out of the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In a German Pension by Katherine Mansfield: And she suddenly had a beautiful marvellous idea.
She laughed for the first time that day, and clapped her hands.
"Ts--ts--ts!" she said, "lie there, silly one; you WILL go to sleep.
You'll not cry any more or wake up in the night. Funny, little, ugly
baby."
He opened his eyes, and shrieked loudly at the sight of the
Child-Who-Was-Tired. From the next room she heard the Frau call out to
her.
"One moment--he is almost asleep," she cried.
And then gently, smiling, on tiptoe, she brought the pink bolster from the
Frau's bed and covered the baby's face with it, pressed with all her might
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