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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

"Though all these things were in my mind, they were in the background. They seemed to be affairs beyond our concern. Chiefly, I was thinking of my lady. An aching distress filled me. For the first time she had owned herself beaten and had fallen a-weeping. Behind me I could hear her sobbing, but I would not turn round to her because I knew she had need of weeping, and had held herself so far and so long for me. It was well, I thought, that she would weep and rest and then we would toil on again, for I had no inkling of the thing that hung so near. Even now I can see her as she sat there, her lovely hair upon her shoulder, can mark again the deepening hollow of her cheek.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

And good Bianca here shall hold the torch Lest what is but a jest grow serious.

BIANCA [To Guido]. Oh! kill him, kill him!

SIMONE. Hold the torch, Bianca. [They begin to fight.]

SIMONE. Have at you! Ah! Ha! would you?

[He is wounded by GUIDO.]

A scratch, no more. The torch was in mine eyes. Do not look sad, Bianca. It is nothing. Your husband bleeds, 'tis nothing. Take a cloth, Bind it about mine arm. Nay, not so tight.

The third excerpt represents the future or something you must embrace, and is drawn from Scaramouche by Rafael Sabatini:

thing with us - was necessitated by the histrionic rawness of our Leandre. We are seeking to inculcate into him by training an art with which Nature neglected to endow him against his present needs. Should he continue to fail in doing justice to our schooling... But we will not disturb our present harmony with the unpleasant anticipation of misfortunes which we still hope to avert. We love our Leandre, for all his faults. Let me make you acquainted with our company.

And he proceeded to introduction in detail. He pointed out the long and amiable Rhodomont, whom Andre-Louis already knew.

"His length of limb and hooked nose were his superficial