Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wrong Box by Stevenson & Osbourne:

The next moment the pair had jumped into the baggage van.

'What's the row about your Uncle Joseph?' enquired the younger traveller, mopping his brow. 'Does he object to smoking?'

'I don't know that there's anything the row with him,' returned the other. 'He's by no means the first comer, my Uncle Joseph, I can tell you! Very respectable old gentleman; interested in leather; been to Asia Minor; no family, no assets--and a tongue, my dear Wickham, sharper than a serpent's tooth.'

'Cantankerous old party, eh?' suggested Wickham.

'Not in the least,' cried the other; 'only a man with a solid talent for being a bore; rather cheery I dare say, on a desert

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Charmides by Plato:

well as the parts, and of the mind as well as the body, which is playfully intimated in the story of the Thracian; (3) The tendency of the age to verbal distinctions, which here, as in the Protagoras and Cratylus, are ascribed to the ingenuity of Prodicus; and to interpretations or rather parodies of Homer or Hesiod, which are eminently characteristic of Plato and his contemporaries; (4) The germ of an ethical principle contained in the notion that temperance is 'doing one's own business,' which in the Republic (such is the shifting character of the Platonic philosophy) is given as the definition, not of temperance, but of justice; (5) The impatience which is exhibited by Socrates of any definition of temperance in which an element of science or knowledge is not included; (6) The

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

His garb was still a cloak, and somewhat dark, and he never went without his staff.' How it came about that Angelical Thomas was burned in company with his staff, and his sister in gentler manner hanged, and whether these two were simply religious maniacs of the more furious order, or had real as well as imaginary sins upon their old-world shoulders, are points happily beyond the reach of our intention. At least, it is suitable enough that out of this superstitious city some such example should have been put forth: the outcome and fine flower of dark and vehement religion. And at least the facts

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MARLOW. Give me joy, George! Crown me, shadow me with laurels! Well, George, after all, we modest fellows don't want for success among the women.

HASTINGS. Some women, you mean. But what success has your honour's modesty been crowned with now, that it grows so insolent upon us?

MARLOW. Didn't you see the tempting, brisk, lovely little thing, that runs about the house with a bunch of keys to its girdle?

HASTINGS. Well, and what then?

MARLOW. She's mine, you rogue you. Such fire, such motion, such eyes, such lips; but, egad! she would not let me kiss them though.

HASTINGS. But are you so sure, so very sure of her?

She Stoops to Conquer