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Today's Stichomancy for Igor Stravinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

He thanked them, and walked between them up the garden. "What place is this?" he asked, when they reached the door.

"A public-house."

"Ah, perhaps it will suit me to put up at. Now then, come in and wet your whistle at my expense for the lift over you have given me."

They followed him into the inn, where the increased light exhibited him as one who would stand higher in an estimate by the eye than in one by the ear. He was dressed with a certain clumsy richness--his coat being furred, and his head covered by a cap of seal-skin, which, though the nights were


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage of the Beagle by Charles Darwin:

Roy now determined to follow its course as far as time would allow. On the 18th three whale-boats started, carrying three weeks' provisions; and the party consisted of twenty-five souls -- a force which would have been sufficient to have defied a host of Indians. With a strong flood-tide and a fine day we made a good run, soon drank some of the fresh water, and were at night nearly above the tidal influence.

The river here assumed a size and appearance which, even at the highest point we ultimately reached, was scarcely diminished. It was generally from three to four hundred yards broad, and in the middle about seventeen feet deep. The


The Voyage of the Beagle
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

reason for this was as distinct as her beauty: it was to make me explain what I had meant, on the occasion of our first meeting, by Mr. Saltram's want of dignity. It wasn't that she couldn't imagine, but she desired it there from my lips. What she really desired of course was to know whether there was worse about him than what she had found out for herself. She hadn't been a month so much in the house with him without discovering that he wasn't a man of monumental bronze. He was like a jelly minus its mould, he had to be embanked; and that was precisely the source of her interest in him and the ground of her project. She put her project boldly before me: there it stood in its preposterous beauty. She

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moon-Face and Other Stories by Jack London:

"The anaemic Cerberus grinned when I took the elevator. 'Got the bounce, eh?'

"'Nay, pale youth, so lily-white,' I chortled, waving the copy paper; 'not the bounce, but a detail. I'll be City Editor in three months, and then I'll make you jump.'

"And as the elevator stopped at the next floor down to take on a pair of maids, he strolled over to the shaft, and without frills or verbiage consigned me and my detail to perdition. But I liked him. He had pluck and was unafraid, and he knew, as well as I, that death clutched him close."

"But how could you, Leith," I cried, the picture of the consumptive lad strong before me, "how could you treat him so barbarously?"

Leith laughed dryly. "My dear fellow, how often must I explain to you your