|The first excerpt represents the past or something you must release, and is drawn from Father Goriot by Honore de Balzac:
that the Countess' doors would not be closed in the future. Four
important houses were now open to him--for he meant to stand well
with the Marechale; he had four supporters in the inmost circle
of society in Paris. Even now it was clear to him that, once
involved in this intricate social machinery, he must attach
himself to a spoke of the wheel that was to turn and raise his
fortunes; he would not examine himself too curiously as to the
methods, but he was certain of the end, and conscious of the
power to gain and keep his hold.
"If Mme. de Nucingen takes an interest in me, I will teach her
how to manage her husband. That husband of hers is a great
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moral Emblems by Robert Louis Stevenson:
He watched that every brick was right:
The decent men their utmost did;
And the house rose - a pyramid!
These were the days, our provost knows,
When forty streets and crescents rose,
The fruits of my creative noddle,
All more or less upon a model,
Neat and commodious, cheap and dry,
A perfect pleasure to the eye!
I found this quite a country quarter;
I leave it solid lath and mortar.
|The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll:
than most.' Humpty Dumpty remarked severely. Alice was silent.
`In spring, when woods are getting green,
I'll try and tell you what I mean.'
`Thank you very much,' said Alice.
`In summer, when the days are long,
Perhaps you'll understand the song:
In autumn, when the leaves are brown,
Take pen and ink, and write it down.'
`I will, if I can remember it so long,' said Alice.
`You needn't go on making remarks like that,' Humpty Dumpty
said: `they're not sensible, and they put me out.'
Through the Looking-Glass