|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:
again. Laura adored him, and he was ready to kiss her shoe-
strings. They were the handsomest couple in London, and had not a
penny-piece between them. The Colonel was very fond of Hughie, but
would not hear of any engagement.
'Come to me, my boy, when you have got ten thousand pounds of your
own, and we will see about it,' he used to say; and Hughie looked
very glum in those days, and had to go to Laura for consolation.
One morning, as he was on his way to Holland Park, where the
Mertons lived, he dropped in to see a great friend of his, Alan
Trevor. Trevor was a painter. Indeed, few people escape that
nowadays. But he was also an artist, and artists are rather rare.
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Letters by Robert Louis Stevenson:
No time after all. Good-bye.
R. L S.
MY DEAR COLVIN, - One page out of my picture book I must give
you. Fine burning day; half past two P.M. We four begin to
rouse up from reparatory slumbers, yawn, and groan, get a cup
of tea, and miserably dress: we have had a party the day
before, X'mas Day, with all the boys absent but one, and
latterly two; we had cooked all day long, a cold dinner, and
lo! at two our guests began to arrive, though dinner was not
till six; they were sixteen, and fifteen slept the night and
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Arrow of Gold by Joseph Conrad:
studio. She passed within a foot of me, her pale eyes staring
straight ahead, her face still with disappointment and fury. Yet
it is only my surmise. She might have been made thus inhuman by
the force of an invisible purpose. I waited a moment, then,
stealthily, with extreme caution, I opened the door of the so-
called Captain Blunt's room.
The glow of embers was all but out. It was cold and dark in there;
but before I closed the door behind me the dim light from the hall
showed me Dona Rita standing on the very same spot where I had left
her, statuesque in her night-dress. Even after I shut the door she
loomed up enormous, indistinctly rigid and inanimate. I picked up
The Arrow of Gold
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:
stood there foolishly, blinking in the glare of the footlights, with
their tin reflectors. So utterly foolish and bewildered did he look
that volley upon volley of laughter welcomed him from the audience,
which this evening packed the hall from end to end. Trembling a
little, his bewilderment at first increasing, he stood there to
receive that rolling tribute to his absurdity. Climene was eyeing
him with expectant mockery, savouring in advance his humiliation;
Leandre regarded him in consternation, whilst behind the scenes, M.
Binet was dancing in fury.
"Name of a name," he- groaned to the rather scared members of the
company assembled there, "what will happen when they discover that