| The first excerpt represents the past or something you must release, and is drawn from Jane Eyre by Charlotte Bronte: and piercing look.
"The name of the place where, and of the person with whom I lived,
is my secret," I replied concisely.
"Which, if you like, you have, in my opinion, a right to keep, both
from St. John and every other questioner," remarked Diana.
"Yet if I know nothing about you or your history, I cannot help
you," he said. "And you need help, do you not?"
"I need it, and I seek it so far, sir, that some true philanthropist
will put me in the way of getting work which I can do, and the
remuneration for which will keep me, if but in the barest
necessaries of life."
Jane Eyre |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Daughter of Eve by Honore de Balzac: all arts, which exist only by contrasts. A work done without this
incentive is the loftiest expression of genius, just as the cloister
is the highest expression of the Christian life.
On returning to his lodging from Lady Dudley's ball, Raoul found a
note from Florine, brought by her maid, which an invincible sleepiness
prevented him from reading at that moment. He fell asleep, dreaming of
a gentle love that his life had so far lacked. Some hours later he
opened the note, and found in it important news, which neither
Rastignac nor de Marsay had allowed to transpire. The indiscretion of
a member of the government had revealed to the actress the coming
dissolution of the Chamber after the present session. Raoul instantly
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The third excerpt represents the future or something you must embrace, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson: my riches, or, more property, to gather tribute. The sons of
Ishmael are the natural and hereditary lords of this part of the
continent, which is usurped by late invaders and low-born tyrants,
from whom we are compelled to take by the sword what is denied to
justice. The violence of war admits no distinction: the lance
that is lifted at guilt and power will sometimes fall on innocence
and gentleness.'
"'How little,' said I, 'did I expect that yesterday it should have
fallen upon me!'
"'Misfortunes,' answered the Arab, 'should always be expected. If
the eye of hostility could learn reverence or pity, excellence like
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