The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Plutarch's Lives by A. H. Clough: Alcibiades and some of his friends of defacing other images in the same
manner, and of having profanely acted the sacred mysteries at a drunken
meeting, where one Theodorus represented the herald, Polytion the torch-
bearer, and Alcibiades the chief priest, while the rest of the party
appeared as candidates for initiation, and received the title of
Initiates. These were the matters contained in the articles of
information, which Thessalus, the son of Cimon, exhibited against
Alcibiades, for his impious mockery of the goddesses, Ceres and
Proserpine. The people were highly exasperated and incensed against
Alcibiades upon this accusation, which, being aggravated by Androcles,
the most malicious of all his enemies, at first disturbed his friends
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: collect funds for some charitable institution, or look for a position
in a bank, but he is an immortal international type; we meet him
everywhere; he is of all lands and of all times; he but takes
different forms to suit the requirements of nationality and time."
[1] Essays on Russian Novelists. Macmillan.
[2] Ideals and Realities in Russian Literature. Duckworth and Co.
Again, the work bears an interesting relation to Gogol himself. A
romantic, writing of realities, he was appalled at the commonplaces of
life, at finding no outlet for his love of colour derived from his
Cossack ancestry. He realised that he had drawn a host of "heroes,"
"one more commonplace than another, that there was not a single
 Dead Souls |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Two Poets by Honore de Balzac: first friendship, and all early affections, were to be severed at one
ruthless blow.
"Well," cried the haughty Negrepelisse, "and what has your sister's
marriage to do with the progress of our love? Have you set your mind
so much on being best man at a wedding party of tradespeople and
workingmen, that you cannot give up these exalted joys for my sake? A
great sacrifice, indeed!" she went on, scornfully. "This morning I
sent my husband out to fight in your quarrel. There, sir, go; I am
mistaken in you."
She sank fainting upon the sofa. Lucien went to her, entreating her
pardon, calling execrations upon his family, his sister, and David.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The House of Dust by Conrad Aiken: He will not hear me: I have lost my power.'
'Three times I've asked him! He will never tell me.
God have mercy upon him. I will ask no more.'
II. DEATH: AND A DERISIVE CHORUS
The door is shut. She leaves the curtained office,
And down the grey-walled stairs comes trembling slowly
Towards the dazzling street.
Her withered hand clings tightly to the railing.
The long stairs rise and fall beneath her feet.
Here in the brilliant sun we jostle, waiting
To tear her secret out . . . We laugh, we hurry,
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