|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac:
their master, who presently seemed asleep. The only sound that was
heard were the steps of the two chamberlains on service, the Sire de
Montresor, and Jean Dufou, Sire de Montbazon, who were walking up and
down the adjoining hall. These two Tourainean seigneurs looked at the
captain of the Scottish guard, who was sleeping in his chair,
according to his usual custom. The king himself appeared to be dozing.
His head had drooped upon his breast; his cap, pulled forward on his
forehead, hid his eyes. Thus seated in his high chair, surmounted by
the royal crown, he seemed crouched together like a man who had fallen
asleep in the midst of some deep meditation.
At this moment Tristan and his cortege crossed the canal by the bridge
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of Darkness by Joseph Conrad:
but as to effectually lifting a little finger--oh, no. By heavens! there
is something after all in the world allowing one man to steal a horse
while another must not look at a halter. Steal a horse straight out.
Very well. He has done it. Perhaps he can ride. But there is a way
of looking at a halter that would provoke the most charitable of saints
into a kick.
"I had no idea why he wanted to be sociable, but as we chatted in there
it suddenly occurred to me the fellow was trying to get at something--
in fact, pumping me. He alluded constantly to Europe, to the people I was
supposed to know there--putting leading questions as to my acquaintances
in the sepulchral city, and so on. His little eyes glittered like mica discs--
Heart of Darkness
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Burning Daylight by Jack London:
enough--too quickly for Dede, who found herself against Bob's
as he pivoted around and bolted the other way. Daylight followed
on her horse and watched. He saw her check the animal quickly to
a standstill, and immediately, with rein across neck and a
prod of the left spur, whirl him back the way he had come and
almost as swiftly.
"Get ready to give him the quirt on the nose," Daylight called.
But, too quickly for her, Bob whirled again, though this time, by
a severe effort, she saved herself from the undignified position
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beauty and The Beast by Bayard Taylor:
embarrassed him, but he soon hit upon answers which were
sufficiently true without betraying his purpose.
Wandering sometimes to the right and sometimes to the left, he
slowly made his way into the land, until, on the afternoon of the
fourth day after leaving home, he found himself in a rougher
region--a rocky, hilly tract, with small and not very flourishing
farms in the valleys. Here the season appeared to be more backward
than in the open country; the hay harvest was not yet over.
Jacob's taste for scenery was not particularly cultivated, but
something in the loneliness and quiet of the farms reminded him of
his own home; and he looked at one house after another,