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Today's Stichomancy for J.K. Rowling

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

that made me pity these people when first I came to live among them. They herd together like animals and do the work of animals; but in spite of the armed overseer, the dirt and the rags, the meals of potatoes washed down by weak vinegar and water, I am beginning to believe that they would strongly object to soap, I am sure they would not wear new clothes, and I hear them coming home from their work at dusk singing. They are like little children or animals in their utter inability to grasp the idea of a future; and after all, if you work all day in God's sunshine, when evening comes you are pleasantly tired and ready for rest and not much inclined to find fault with your lot.


Elizabeth and her German Garden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Theaetetus by Plato:

assembly; they neither see nor hear the laws or decrees, as they are called, of the state written or recited; the eagerness of political societies in the attainment of offices--clubs, and banquets, and revels, and singing-maidens,--do not enter even into their dreams. Whether any event has turned out well or ill in the city, what disgrace may have descended to any one from his ancestors, male or female, are matters of which the philosopher no more knows than he can tell, as they say, how many pints are contained in the ocean. Neither is he conscious of his ignorance. For he does not hold aloof in order that he may gain a reputation; but the truth is, that the outer form of him only is in the city: his mind, disdaining the littlenesses and nothingnesses of human

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

Esterel mountains between Cannes and Frejus, he remarked a pretty house in an orange garden at the angle of a bay, and decided that this should be his Happy Valley. Astrea Redux; childhood was to come again! The idea has an air of simple nobility to me, not unworthy of Cincinnatus. And yet, as the reader has probably anticipated, it is never likely to be carried into effect. There was a worm i' the bud, a fatal error in the premises. Childhood must pass away, and then youth, as surely as age approaches. The true wisdom is to be always seasonable, and to change with a good grace in changing circumstances. To love playthings well as a child, to lead an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

"No, sir, it is not Gyuri - Gyuri did not do it."

"But when I tell you that he did?"

"But I tell you, sir, that Gyuri did not do it. The man who did it - he has yellowish hands - I saw them - I saw big yellowish hands. Gyuri's hands are big, but they are brown."

"Janci, you are right. I was only trying to test you. Gyuri did not do it; that is, he did not do it with his own hands. The man who held the knife that struck down the pastor was Varna, the crazy mechanician."

Janci beat his forehead. "Oh, I am a foolish and useless dreamer!" he exclaimed; "of course it was Varna's hands that I saw. I have