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Today's Stichomancy for J. Edgar Hoover

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

took up a determined stand in his doorway, until at last he made a most humiliating move for safety.

Bit by bit Sara Lee got the story, its bare detail from Henri, its courage and sheer recklessness from Jean. It would, for instance, run like this, with Henri in a chair perhaps, and cutting dressings - since that might be done with one hand - and Sara Lee, sleeves rolled up and a great bowl of vegetables before her:

"And when you got through the water, Henri?" she would ask: "What then?"

It was quite simple. They had put up some additional wire, however -"

"Where?"

"There was a break," he would explain. "I have told you - between their

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Contrast by Royall Tyler:

path with roses.

LETITIA

My sweet friend, not quite so poetical, and a little more particular.

CHARLOTTE

Hands off, Letitia. I feel the rage of simile upon me; I can't talk to you in any other way. My brother has a heart replete with the noblest sentiments, but then, it is like--it is like--Oh! you provoking girl, you have deranged all my ideas--it is like--Oh! I have it--his heart is like an old maiden lady's band-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

conscious or unconscious advocatus dei avails himself of--he who regards this world, including space, time, form, and movement, as falsely DEDUCED, would have at least good reason in the end to become distrustful also of all thinking; has it not hitherto been playing upon us the worst of scurvy tricks? and what guarantee would it give that it would not continue to do what it has always been doing? In all seriousness, the innocence of thinkers has something touching and respect-inspiring in it, which even nowadays permits them to wait upon consciousness with the request that it will give them HONEST answers: for example, whether it be "real" or not, and why it keeps the outer world so resolutely at


Beyond Good and Evil
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather:

Hilda spoke quietly, pressing the rough sleeve of his greatcoat with her gloved hand.

"You've always thought me too old for you, Hilda,--oh, of course you've never said just that,--and here this fellow is not more than eight years younger than I. I've always felt that if I could get out of my old case I might win you yet. It's a fine, brave youth I carry inside me, only he'll never be seen."

"Nonsense, Mac. That has nothing to do with it. It's because you seem too close to me,


Alexander's Bridge