Today's Stichomancy for Jack Kerouac
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert: with three steps was pushed beneath her feet; two Negro children knelt
on the edge of the first step, and sometimes she would rest both arms,
which were laden with rings of excessive weight, upon their heads.
From ankle to hip she was covered with a network of narrow meshes
which were in imitation of fish scales, and shone like mother-of-
pearl; her waist was clasped by a blue zone, which allowed her breasts
to be seen through two crescent-shaped slashings; the nipples were
hidden by carbuncle pendants. She had a headdress made of peacock's
feathers studded with gems; an ample cloak, as white as snow, fell
behind her,--and with her elbows at her sides, her knees pressed
together, and circles of diamonds on the upper part of her arms, she
 Salammbo |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Black Dwarf by Walter Scott: except the compotations aforesaid. Nevertheless this
compensation suited my humour well, since it is a hard sentence
to bid a dry throat wait till quarter-day.
But, truly, were I to speak my simple conceit and belief, I think
my Landlord was chiefly moved to waive in my behalf the usual
requisition of a symbol, or reckoning, from the pleasure he was
wont to take in my conversation, which, though solid and edifying
in the main, was, like a well-built palace, decorated with
facetious narratives and devices, tending much to the enhancement
and ornament thereof. And so pleased was my Landlord of the
Wallace in his replies during such colloquies, that there was no
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Republic by Plato: gymnastic, a manlier strain of poetry, and greater harmony of the
individual and the State. We are thus led on to the conception of a higher
State, in which 'no man calls anything his own,' and in which there is
neither 'marrying nor giving in marriage,' and 'kings are philosophers' and
'philosophers are kings;' and there is another and higher education,
intellectual as well as moral and religious, of science as well as of art,
and not of youth only but of the whole of life. Such a State is hardly to
be realized in this world and quickly degenerates. To the perfect ideal
succeeds the government of the soldier and the lover of honour, this again
declining into democracy, and democracy into tyranny, in an imaginary but
regular order having not much resemblance to the actual facts. When 'the
 The Republic |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wife, et al by Anton Chekhov: "I was unhappy. At home, in the fields, in the barn, I thought of
her; I tried to understand the mystery of a beautiful,
intelligent young woman's marrying some one so uninteresting,
almost an old man (her husband was over forty), and having
children by him; to understand the mystery of this uninteresting,
good, simple-hearted man, who argued with such wearisome good
sense, at balls and evening parties kept near the more solid
people, looking listless and superfluous, with a submissive,
uninterested expression, as though he had been brought there for
sale, who yet believed in his right to be happy, to have children
by her; and I kept trying to understand why she had met him first
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