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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

offered.

'We'll drink our tea and be off.'

Nikita said nothing but only shook his head, and carefully pouring some tea into his saucer began warming his hands, the fingers of which were always swollen with hard work, over the steam. Then, biting off a tiny bit of sugar, he bowed to his hosts, said, 'Your health!' and drew in the steaming liquid.

'If somebody would see us as far as the turning,' said Vasili Andreevich.

'Well, we can do that,' said the eldest son. 'Petrushka will harness and go that far with you.'


Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sanitary and Social Lectures by Charles Kingsley:

knowledge of the laws of electricity, one thrift I am sure it would produce--thrift to us men, of having to answer continual inquiries as to what the weather is going to be, when a slight knowledge of the barometer, or of the form of the clouds and the direction of the wind, would enable many a lady to judge for herself, and not, after inquiry on inquiry, regardless of all warnings, go out on the first appearance of a strip of blue sky, and come home wet through, with what she calls "only a chill," but which really means a nail driven into her coffin--a probable shortening, though it may be a very small one, of her mortal life; because the food of the next twenty-four hours, which should have

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

My gondolier, behind me, must have seen my ears red as I wondered, sitting there under the fluttering tenda, with my hidden face, noticing nothing as we passed--wondered whether her delusion, her infatuation had been my own reckless work. Did she think I had made love to her, even to get the papers? I had not, I had not; I repeated that over to myself for an hour, for two hours, till I was wearied if not convinced. I don't know where my gondolier took me; we floated aimlessly about in the lagoon, with slow, rare strokes. At last I became conscious that we were near the Lido, far up, on the right hand, as you turn your back to Venice, and I made him put me ashore.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierre Grassou by Honore de Balzac:

"Are you quite sure," said Virginie, "that he has done no harm to my portrait? He frightened me."

"He has only done it good," replied Grassou.

"Well, if he is a great artist, I prefer a great artist like you," said Madame Vervelle.

The ways of genius had ruffled up these orderly bourgeois.

The phase of autumn so pleasantly named "Saint Martin's summer" was just beginning. With the timidity of a neophyte in presence of a man of genius, Vervelle risked giving Fougeres an invitation to come out to his country-house on the following Sunday. He knew, he said, how little attraction a plain bourgeois family could offer to an artist.