| The first excerpt represents the past or something you must release, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett: hands; to see these affectionate meetings and then the reluctant
partings, gave one a new idea of the isolation in which it was
possible to live in that after all thinly settled region. They did
not expect to see one another again very soon; the steady, hard
work on the farms, the difficulty of getting from place to place,
especially in winter when boats were laid up, gave double value to
any occasion which could bring a large number of families together.
Even funerals in this country of the pointed firs were not without
their social advantages and satisfactions. I heard the words "next
summer" repeated many times, though summer was still ours and all
the leaves were green.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Burning Daylight by Jack London: a gambler. They're four-flushers, if you know what that means.
They're a lot of little cottontail rabbits making believe they're
big rip-snorting timber wolves. They set out to everlastingly
eat up some proposition but at the first sign of trouble they
turn tail and stampede for the brush. Look how it works. When
the big fellows wanted to unload Little Copper, they sent Jakey
Fallow into the New York Stock Exchange to yell out: 'I'll buy
all or any part of Little Copper at fifty five,' Little Copper
being at fifty-four. And in thirty minutes them cottontails--
financiers, some folks call them--bid up Little Copper to sixty.
And an hour after that, stampeding for the brush, they were
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The third excerpt represents the future or something you must embrace, and is drawn from A Heap O' Livin' by Edgar A. Guest: We even look behind the clock, we busy boys
an' lasses,
Until somebody runs across Ma's missing pair of
glasses.
We've found 'em in the Bible, an' we've found
'em in the flour,
We've found 'em in the sugar bowl, an' once
we looked an hour
Before we came across 'em in the padding of
her chair;
An' many a time we've found 'em in the topknot
 A Heap O' Livin' |