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Today's Stichomancy for Jack Nicholson

The first excerpt represents the past or something you must release, and is drawn from Myths and Myth-Makers by John Fiske:

his wife's father who, as Sculloge now learned, was a good Druid, the brother of the evil Lassa Buaicht. This good Druid told him that the sword of light was kept by a third brother, the powerful magician, Fiach O'Duda, who dwelt in an enchanted castle, which many brave heroes had tried to enter, but the dark sorcerer had slain them all. Three high walls surrounded the castle, and many had scaled the first of these, but none had ever returned alive. But Sculloge was not to be daunted, and, taking from his father-in-law a black steed, he set out for the fortress of Fiach O'Duda. Over the first high wall nimbly leaped the magic horse, and Sculloge called aloud on


Myths and Myth-Makers
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pupil by Henry James:

that made them so candidly free. It was a houseful of Bohemians who wanted tremendously to be Philistines.

In one respect, however, certainly they achieved no rigour - they were wonderfully amiable and ecstatic about Morgan. It was a genuine tenderness, an artless admiration, equally strong in each. They even praised his beauty, which was small, and were as afraid of him as if they felt him of finer clay. They spoke of him as a little angel and a prodigy - they touched on his want of health with long vague faces. Pemberton feared at first an extravagance that might make him hate the boy, but before this happened he had become extravagant himself. Later, when he had grown rather to

The third excerpt represents the future or something you must embrace, and is drawn from The Waste Land by T. S. Eliot:

But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse 190 Musing upon the king my brother's wreck And on the king my father's death before him. White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat's foot only, year to year.


The Waste Land