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Today's Stichomancy for Jackie Chan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

'O yes, it is,' said Herrick.

'Come, come!' said the captain, and paused as if quite at a loss. 'Look here,' he cried, 'you have a glass of champagne. I won't touch it, so that'll show you if I'm in earnest. But it's just the pick-me-up for you; it'll put an edge on you at once.'

'O, you leave me alone!' said Herrick, and turned away.

The captain caught him by the sleeve; and he shook him off and turned on him, for the moment, like a demoniac.

'Go to hell in your own way!' he cried.

And he turned away again, this time unchecked, and stepped forward to where the boat rocked alongside and ground

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber:

specs and she's got a double chin. Her hair is skimpy and she don't wear no rat. W'y no traveling man has ever tried to flirt with Pearlie yet. Pearlie's what you'd call a woman, all right. You wouldn't never make a mistake and think she'd escaped from the first row in the chorus."

The leading lady rose from the bed, reached out for her pocket-book, extracted a dime, and held it out to the bell-boy.

"Here. Will you ask her to come up here to me? Tell her I said please."

After he had gone she seated herself on the edge of the bed again, with a look in her eyes like that which you have seen in the


Buttered Side Down
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrong Box by Stevenson & Osbourne:

of moderate means it seemed extravagant. The hire of the yacht was in itself a consideration; the subsequent support of the whole crew (which seemed a necessary consequence) was simply not to be thought of. His uncle and the houseboat here occurred in very luminous colours to his mind. A musical composer (say, of the name of Jimson) might very well suffer, like Hogarth's musician before him, from the disturbances of London. He might very well be pressed for time to finish an opera--say the comic opera Orange Pekoe--Orange Pekoe, music by Jimson--'this young maestro, one of the most promising of our recent English school'--vigorous entrance of the drums, etc.--the whole

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

"Whoa, girlie; whoa, girlie," had been Patrick's quieting words to Lizzie, and then when Tattine came hurrying that way he had motioned her to come quietly for fear of frightening them. Then, as you know, Tattine flew to make sure that treacherous Black- and-white was kept close guarded, and then back she fl‡w again to the aid of the little birds themselves. Softly she drew nearer and nearer, saying over gently, "Whoa, Lizzie! dear little birdies!" until she came very near and then she put out one hand towards them. That was enough for the fledglings. Refreshed by their rest on the shafts, they flapped their tiny wings and fluttered up to the anxious mother bird on the branches above them, wholly unconscious that they had been in any peril whatsoever.

"And Black-and-white would have killed them, every one, if she had had the