| The first excerpt represents the past or something you must release, and is drawn from In Darkest England and The Way Out by General William Booth: prisoners of the publican--as a matter of fact, Isaac Hoyle gives
1 in 12 of the adult population. This may be an excessive estimate,
but, if we take half of a million, we shall not be accused of
exaggeration. Of these some are in the last stage of confirmed
dipsomania; others are but over the verge; but the procession tends
ever downwards.
The loss which the maintenance of this huge standing army of a half of
a million of men who are more or less always besotted men whose
intemperance impairs their working power, consumes their earnings, and
renders their homes wretched, has long been a familiar theme of the
platform. But what can be done for them? Total abstinence is no doubt
 In Darkest England and The Way Out |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anna Karenina by Leo Tolstoy: scarcely heard what Vorkuev was telling him of the qualities of
the story for children Anna Arkadyevna had written.
At tea the same pleasant sort of talk, full of interesting
matter, continued. There was not a single instant when a subject
for conversation was to seek; on the contrary, it was felt that
one had hardly time to say what one had to say, and eagerly held
back to hear what the others were saying. And all that was said,
not only by her, but by Vorkuev and Stepan Arkadyevitch--all, so
it seemed to Levin, gained peculiar significance from her
appreciation and her criticism. While he followed this
interesting conversation, Levin was all the time admiring her--
 Anna Karenina |
The third excerpt represents the future or something you must embrace, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson: Me in my comforter and cap;
The cold wind burns my face, and blows
Its frosty pepper up my nose.
Black are my steps on silver sod;
Thick blows my frosty breath abroad;
And tree and house, and hill and lake,
Are frosted like a wedding cake.
XXXIX
The Hayloft
Through all the pleasant meadow-side
The grass grew shoulder-high,
 A Child's Garden of Verses |