| The first excerpt represents the past or something you must release, and is drawn from New Arabian Nights by Robert Louis Stevenson: preparation, I got out my revolver, and, having drawn the charges,
cleaned and reloaded it with scrupulous care. Next I became
preoccupied about my horse. It might break loose, or fall to
neighing, and so betray my camp in the Sea-Wood. I determined to
rid myself of its neighbourhood; and long before dawn I was leading
it over the links in the direction of the fisher village.
CHAPTER III - TELLS HOW I BECAME ACQUAINTED WITH MY WIFE
For two days I skulked round the pavilion, profiting by the uneven
surface of the links. I became an adept in the necessary tactics.
These low hillocks and shallow dells, running one into another,
became a kind of cloak of darkness for my enthralling, but perhaps
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Master of the World by Jules Verne: which might have resulted in its being traced to him, he had come to
Washington and deposited it himself in the very spot suggested by the
government's official notice, the bureau of police.
Well! If this remarkable personage had reckoned that this new proof
of his existence would make some noise in two worlds, he certainly
figured rightly. That day, the millions of good folk who read and
re-read their daily paper could to employ a well-known phrase,
scarcely believe their eyes.
As for myself, I studied carefully every phrase of the defiant
document. The hand-writing was black and heavy. An expert at
chirography would doubtless have distinguished in the lines traces of
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The third excerpt represents the future or something you must embrace, and is drawn from Statesman by Plato: proof that the existence of such a standard is necessary to the existence
of the arts. The standard or measure, which we are now only applying to
the arts, may be some day required with a view to the demonstration of
absolute truth.
We may now divide this art of measurement into two parts; placing in the
one part all the arts which measure the relative size or number of objects,
and in the other all those which depend upon a mean or standard. Many
accomplished men say that the art of measurement has to do with all things,
but these persons, although in this notion of theirs they may very likely
be right, are apt to fail in seeing the differences of classes--they jumble
together in one the 'more' and the 'too much,' which are very different
Statesman |
