The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kidnapped by Robert Louis Stevenson: "Ha!" says he, "that's nothing. Would ye believe me now, that
before the Act came out, and when there were weepons in this
country, I could shoot? Ay, could I!" cries he, and then with a
leer: "If ye had such a thing as a pistol here to try with, I
would show ye how it's done."
I told him I had nothing of the sort, and gave him a wider berth.
If he had known, his pistol stuck at that time quite plainly out
of his pocket, and I could see the sun twinkle on the steel of
the butt. But by the better luck for me, he knew nothing,
thought all was covered, and lied on in the dark.
He then began to question me cunningly, where I came from,
 Kidnapped |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales of Unrest by Joseph Conrad: of importance he derived from this connection with what he imagined to
be literature.
This connection still further enlarged their world. Men who wrote or
drew prettily for the public came at times to their house, and his
editor came very often. He thought him rather an ass because he had
such big front teeth (the proper thing is to have small, even teeth)
and wore his hair a trifle longer than most men do. However, some
dukes wear their hair long, and the fellow indubitably knew his
business. The worst was that his gravity, though perfectly portentous,
could not be trusted. He sat, elegant and bulky, in the drawing-room,
the head of his stick hovering in front of his big teeth, and talked
 Tales of Unrest |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Men of Iron by Howard Pyle: armor crashing as he fell. In the cloud of dust that arose no one
could see just what happened, but that what was done was done
deliberately no one doubted. The earl, at once checking and
spurring his foaming charger, drove the iron-shod war-horse
directly over Myles's prostrate body. Then, checking him fiercely
with the curb, reined him back, the hoofs clashing and crashing,
over the figure beneath. So he had ridden over the father at
York, and so he rode over the son at Smithfield.
Myles, as he lay prostrate and half stunned by his fall, had seen
his enemy thus driving his rearing horse down upon him, but was
not able to defend himself. A fallen knight in full armor was
 Men of Iron |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Collected Articles by Frederick Douglass: on his trail in full chase, could have beaten more anxiously or noisily
than did mine from the time I left Baltimore till I reached Philadelphia.
The passage of the Susquehanna River at Havre de Grace was at that time
made by ferry-boat, on board of which I met a young colored man by the name
of Nichols, who came very near betraying me. He was a "hand" on the boat,
but, instead of minding his business, he insisted upon knowing me,
and asking me dangerous questions as to where I was going,
when I was coming back, etc. I got away from my old and inconvenient
acquaintance as soon as I could decently do so, and went to another part
of the boat. Once across the river, I encountered a new danger.
Only a few days before, I had been at work on a revenue cutter,
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