| The first excerpt represents the past or something you must release, and is drawn from Little Britain by Washington Irving: steeple of Bow church; and, fearful to relate, the dragon and
the grasshopper actually lie, cheek by jole, in the yard of his
workshop.
"Others," as Mr. Skryme is accustomed to say, "may go star-
gazing, and look for conjunctions in the heavens, but here is a
conjunction on the earth, near at home, and under our own eyes,
which surpasses all the signs and calculations of astrologers."
Since these portentous weathercocks have thus laid their heads
together, wonderful events had already occurred. The good
old king, notwithstanding that he had lived eighty-two years,
had all at once given up the ghost; another king had mounted
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Burning Daylight by Jack London: open door of which he could see several college youths. "So you
will have to come into my rooms."
She led the way through the door opening out of the hall to the
right, and, once inside, he stood awkwardly rooted to the floor,
gazing about him and at her and all the time trying not to gaze.
In his perturbation he failed to hear and see her invitation to a
seat. So these were her quarters. the intimacy of it and her
making no fuss about it was startling, but it was no more than he
would have expected of her. It was almost two rooms in one, the
one he was in evidently the sitting-room, and the one he could
see into, the bedroom. Beyond an oaken dressing-table, with an
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The third excerpt represents the future or something you must embrace, and is drawn from The Phoenix and the Turtle by William Shakespeare: And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
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