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Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

because they have letters of pardon.

33. Men must be on their guard against those who say that the pope's pardons are that inestimable gift of God by which man is reconciled to Him;

34. For these "graces of pardon" concern only the penalties of sacramental satisfaction, and these are appointed by man.

35. They preach no Christian doctrine who teach that contrition is not necessary in those who intend to buy souls out of purgatory or to buy confessionalia.

36. Every truly repentant Christian has a right to full remission of penalty and guilt, even without letters of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells:

XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE

"The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge."

ANN VERONICA

CHAPTER THE FIRST

ANN VERONICA TALKS TO HER FATHER

Part 1

One Wednesday afternoon in late September, Ann Veronica Stanley

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Octopus by Frank Norris:

Presley were saddling their horses before the stables on Los Muertos, the foreman, Phelps, remarked:

"I was into town last night, and I hear that Christian has been after Ruggles early and late to have him put him in possession here on Los Muertos, and Delaney is doing the same for Quien Sabe."

It was this man Christian, the real estate broker, and cousin of S. Behrman, one of the main actors in the drama of Dyke's capture, who had come forward as a purchaser of Los Muertos when the Railroad had regraded its holdings on the ranches around Bonneville.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

war-horse's, and I knew he was longing for a brush with them. But about noon of the third day I had stopped in the road to take a precaution which had been suggested by the whip-stroke that had fallen to my share two days before; a precaution which I had afterward decided to leave untaken, I was so loath to institute it; but now I had just had a fresh reminder: while striding heedlessly along, with jaw spread and intellect at rest, for I was prophesying, I stubbed my toe and fell sprawling. I was so pale I couldn't think for a moment; then I got softly and carefully up and


A Connecticut Yankee in King Arthur's Court