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Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

experience of the weight of a pound and the length of an inch. And sometimes a scoundrel who has rifled a bird's nest or killed a harmless snake encourages the children to go and do likewise by putting his victims into an imitation nest and bottle and exhibiting them as aids to "Nature study." A suggestion that Nature is worth study would certainly have staggered my schoolmasters; so perhaps I may admit a gleam of progress here. But as any child who attempted to handle these dusty objects would probably be caned, I do not attach any importance to such modernities in school furniture. The school remains what it was in my boyhood, because its real object remains what it was. And that object, I repeat, is to keep the children out

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

year of your absence. Prohibition was a joke.--Well, I gadded, danced, dressed, drank, smoked, motored, just the same as the other women in our crowd. Something drove me to. I never rested. Excitement seemed to be happiness--Glenn, I am not making any plea to excuse all that. But I want you to know--how under trying circumstances--I was absolutely true to you. Understand me. I mean true as regards love. Through it all I loved you just the same. And now I'm with you, it seems, oh, so much more! . . . Your last letter hurt me. I don't know just how. But I came West to see you--to tell you this--and to ask you. . . . Do you want this ring back?"

"Certainly not," he replied, forcibly, with a dark flush spreading over his face.


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

there would come a clinking of pails from the stable-yard behind. But in spite of these occasional interruptions - in spite, also, of the continuous autumn twittering that filled the trees - the chief impression somehow was one as of utter silence, insomuch that the little greenish bell that peeped out of a window in the tower disquieted me with a sense of some possible and more inharmonious disturbance. The grass was wet, as if with a hoar frost that had just been melted. I do not know that ever I saw a morning more autumnal. As I went to and fro among the graves, I saw some flowers set reverently before a recently erected tomb, and drawing near, was almost startled to find they lay on the grave a man seventy-two years

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Monster Men by Edgar Rice Burroughs:

cool carpet of grass that grew to the water's edge. Almost immediately tired, Nature plunged her into a deep sleep. It was daylight when she awoke, dreaming that the tall young giant had rescued her from a band of demons and was lifting her in his arms to carry her back to her father.

Through half open lids she saw the sunlight filtering through the leafy canopy above her--she wondered at the realism of her dream; full consciousness returned and with it the conviction that she was in truth being held close by strong arms against a bosom that throbbed


The Monster Men