| The first excerpt represents the past or something you must release, and is drawn from The Art of Writing by Robert Louis Stevenson: in force and poignancy of main design. Our little air is
swamped and dwarfed among hardly relevant orchestration; our
little passionate story drowns in a deep sea of descriptive
eloquence or slipshod talk.
But again, we are rather more tempted to admit those
particulars which we know we can describe; and hence those
most of all which, having been described very often, have
grown to be conventionally treated in the practice of our
art. These we choose, as the mason chooses the acanthus to
adorn his capital, because they come naturally to the
accustomed hand. The old stock incidents and accessories,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Peter Pan by James M. Barrie: fairies struck her as quite delightful. She poured out questions
about them, to his surprise, for they were rather a nuisance
to him, getting in his way and so on, and indeed he sometimes
had to give them a hiding [spanking]. Still, he liked them
on the whole, and he told her about the beginning of fairies.
"You see, Wendy, when the first baby laughed for the first
time, its laugh broke into a thousand pieces, and they all went
skipping about, and that was the beginning of fairies."
Tedious talk this, but being a stay-at-home she liked it.
"And so," he went on good-naturedly, "there ought to be one
fairy for every boy and girl."
 Peter Pan |
The third excerpt represents the future or something you must embrace, and is drawn from The Two Brothers by Honore de Balzac: "It is now the 16th of January, 1829," cried du Tillet, laughing. "I
have been hard at work for ten years and I have not made as much as
that yet."
"We'll take counsel of each other," said Bridau; "you shall see how
well I understand finance."
"How much do you really own?" asked Nucingen.
"Three millions, excluding my house and my estate, which I shall not
sell; in fact, I cannot, for the property is now entailed and goes
with the title."
Nucingen and du Tillet looked at each other; after that sly glance du
Tillet said to Philippe, "My dear count, I shall be delighted to do
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